Showing posts with label Cat Stevens. Show all posts
Showing posts with label Cat Stevens. Show all posts

Monday, March 04, 2024

Fifty Years of Music • February-March 1974 • Goodbye the 60's, hello the 70's


Musically, the 1960's died in 1971, okay let's stretch it to 1972. In 1969 I entered high school, and by 1973 when I graduated from high school, a new iteration of rock 'n' roll was well underway. In 1974 as I started college, many of the bands that I call, "Tier 1 bands" were either gone (e.g. The Beatles, Cream, Jimi Hendrix), or bands still going like The Rolling Stones and The Who, were sharing radio time with a whole slew of new bands that I call "Tier 2 and 3 bands."

Music is such a personal preference, even akin to a religious experience. Like religion or faith, I would never get into anybody's grill about their "taste" in music. The popular music of one's time in middle school and high school will often be the defining years that shapes one's taste in music for a lifetime.

For example, my brother and sister are twins and just 2-1/2 years younger than me, and my other sister is 10 years younger than me. My whole musical experience of being a 6th-12th grader in the 60's-early 70's I feel was much different than my siblings.

I'm certainly not going to knock them if they like Aerosmith, Kansas or Rush, it was simply the music more in their grade school years, than mine.

Believe me, there were tons of crappy bands and artists in the 1960's, but I found my groove with folk and "jingle-jangle" bands like The Byrds and Buffalo Springfield that really shaped my musical tastes.

By 1974, there's slicker and smoother versions of rock 'n' roll being produced in my opinion, and in looking through Wikipedia's 1974 in Music for February and March, you may see the transition too. (Note- I have pasted these Wikipedia lists at the bottom of this post.)

I want to also mention a couple of other events that shaped how I looked at artist's as once heroes, to now-not so much, or not at all. The first example actually happens in February, 1974 with the release of Seals and Crofts, Unborn Child. This is where Seals and Crofts crosses that line between their religious beliefs and telling others how to live their lives as they think you should. Unborn Child is a song told from the perspective of an aborted fetus, really? Here's the 1974 album cover of I guess, a sad embryo? Well they not only lost me as a fan, but I guess a whole generation of Roe v. Wade young people. The duo never recovered from this song and this album, and their future albums would never put them back in the limelight. 

For this record, Seals and Crofts won the "Keep Her in Her Place" award from the National Organization for Women (tying with Paul Anka for his recording of "(You're) Having My Baby") during "its annual putdown of male chauvinism" in the media on Women's Equality Day. Wikipedia

The second event that rocked me with a musical hero was in 1989. Here is a clip from the New York Times. LONDON, May 22 -- The musician known as Cat Stevens said in a British television program to be broadcast next week that rather than go to a demonstration to burn an effigy of the author Salman Rushdie, ''I would have hoped that it'd be the real thing.''

The singer, who adopted the name Yusuf Islam when he converted to Islam, made the remark during a panel discussion of British reactions to Ayatollah Ruhollah Khomeini's call for Mr. Rushdie to be killed for allegedly blaspheming Islam in his best-selling novel ''The Satanic Verses.'' He also said that if Mr. Rushdie turned up at his doorstep looking for help, ''I might ring somebody who might do more damage to him than he would like.''

''I'd try to phone the Ayatollah Khomeini and tell him exactly where this man is,'' said Mr. Islam, who watched a preview of the program today and said in an interview that he stood by his comments.
Craig R. Whitney, May 23, 1989, New York Times.

In the playlist this week, I include Cat Steven's, Budda and the Chocolate Box, an album I simply loved and played all the time in 1974. When this news came out, I was incensed, and I guess both Seals and Crofts and Cat Stevens were the first artists I could say that I "cancelled" in the 20th century. 

But please, enjoy the many spiritually influenced 1974 songs from Budda and the Chocolate Box, as I guess Steven's Peace Train vibe was all a ruse, and his message of love and peace had left the station.

Let's move on to something more positive, and a band that like so many other people, we didn't discover when we needed to in 1974, Big Star. I personally found Big Star a couple of years ago through the 2012 documentary, Big Star: Nothing Can Hurt Me  (Here is the link on Amazon Prime.)

Radio City is their second album. Rolling Stone has included their first three albums in their Top 500 Albums of All-Time. I'm not going to get into their backstory here but I highly recommend you watch the documentary and check out these three albums - 

Enjoy the playlist my friends, and I didn't even mention the Eagles and Steely Dan, touring together 50 years later on the Eagles, The Long Goodbye Final Tour.



Wikipedia's 1974 in Music, February and March album release listings


Monday, December 14, 2020

My Favorite Songs of 1970





1970 was an incredible year in rock 'n' roll history. Some of my favorite songs of all-time are contained in the albums above. The playlist this week is a treasure of jewels for me, some discovered in 1970, and some discovered much later.

The year was full of great music and news.

The biggest news of 1970 was the biggest band break-up that ever was as The Beatles go their separate ways and start making their own albums. Their fans never stop hoping that they will get back together.

The Beatles also released their last album, Let It Be recorded before Abbey Road and released after. 

Simon and Garfunkel also made their last album together, Bridge Over Trouble Water. The album wins 6 Grammy's and wins The Song, Record, and Album of the Year. Their fans never stop hoping that they get back together.

Crosby, Stills, Nash & Young make a masterpiece, Déjà Vu  and then promptly break-up for the first time, as their fans never stop hoping that they will get back together again, and again, and again...

Drugs and death also intersect in 1970, as both Jimi Hendrix and Janis Joplin both die of overdoses just three weeks apart at the tender age of 27. Brian Jones of the Rolling Stones had died the year prior in 1969 at 27, and in the following year of 1971, Jim Morrison would also die of an overdose at 27 and fuel the rock culture phenomenon of Club 27.  

Speaking of phenomenon, the singer-songwriters to emerge as stars in 1970 is literally on the charts. James Taylor, Joni Mitchell, Neil Young, Carole King, Kris Kristofferson, Stephen Stills, Leon Russell, Cat Stevens, Van Morrison, and Elton John all breakout with solo albums that will put them on the map and on the road for years to come. In 1970, Stevens, Morrison, John, and Badfinger each release two albums during the same year as fans cannot get enough. 

I was hooked by all these talented people and I start buying their albums whenever I could scrap up the money. My friends are doing the same, and we are all listening to each other's albums. Getting into rock concerts was going to be the next big step.

At fifteen, I'm becoming aware that two of my new heroes- James Taylor and Neil Young, are a bit like me, painfully shy to the point that it wasn't helping me move forward in life. By listening to their songs by myself in my bedroom, I began to get a sensibility for their music and what they were communicating to the world. I began to internalize their music, like millions of other kids. I start to examine who I am- my self-worth, what will I do? James and Neil didn't magically answer these questions, but they did give me a feeling, a new sense that I wasn't alone. James has this beautiful voice and yet he's always hunched over (like me), walking and talking without a lot of confidence. Neil's as quirky as hell and has this unique shaky voice and distant stare. But yet, both are opening up on a big stage in the spotlight, and becoming massively successful, folk-rock stars no less. Could I actually make something of myself? 

1970 was a new decade but still part of the 1960's, and I wanted in, to be a long-hair. Music was becoming a part of my identity and it was a cornerstone of the counter-culture. I wanted to be part of something bigger, something completely different from my parents and my conservative upbringing.

This year in the blog, I started the reoccurring monthly post of 50 Years of Music. As I reflect back over the entirety of 1970, the blog often serves as a retro-journal to myself. This year, I also caught myself playing an old game, the 'shoulda-woulda-coulda' mind game. I wished I had joined the cross-country team, I wished I had started playing tennis with my dear friend Bill DeVoe as he would eventually go on to become the number one player on the high school varsity team. I wished I hadn't quit piano lessons, and I wished that I had starting writing a journal when I was young. In retrospect, all these wishes where not a lack of opportunities presented to me, but a basic lack of self-confidence on my part. 

I would go through most of the 1970's with that general lack of confidence that slowly melted away as I began my professional career as a K-12 teacher with a variety of job assignments and experiences. Over the years, I discovered that confidence is often revealed in a couple basic ways. One, you see the overt confidence, often coupled with words over action. Second, and the confidence I tried to model from the good people around me was the purposeful actions that followed their words.

On this day, I'm thankful for my core group of friends who helped me believe in myself, and I'm thankful for the music we shared together as kids and continue to share today with old and new songs.

The playlist(s) this week are 220 songs as it is contains some of the best music I ever heard when first released 50 years ago that has endured the test of time. To quote John Lennon on the roof of Abbey Road Studios in the Let It Be film, "I would like to say thank you on behalf of the group and ourselves, and I hope we've passed the audition." Yes John, your band certainly passed the audition- giving all the people you inspired to pick up musical instruments and make rock 'n' roll. Those musicians and the listening fans from all over the world are forever indebted and eternally grateful for the music of 

(Note- I just discovered this morning in publishing the blog that an embedded YouTube playlist will only display 200 videos, damnit-all. So, I have taken the last 20 videos and created a Part II Playlist and embedded below the first playlist. There's some great songs in the last group of 20, including the last song which has a lot of meaning to me.)

Merry Everything! Stay well my friends and mask-up. 

So let's now get back to where we once belonged.


 

 Reference:

Monday, November 16, 2020

Fifty Years of Music • November, 1970

This week is a cornucopia of something old and something old as I present two playlists this week. 

First, fifty years ago today is a wonderful BBC Concert with James Taylor. James has gone into his music vault and has remastered the original British television broadcast into YouTube video clips. I was impressed by the audio quality and I think you will enjoy his playlist as he has recently been releasing a song a week from the concert. So far, he has released nine videos, and don't hesitate to come back here to see if he's added a few more.

Second, is the very impressive month of album releases from November, 1970. I couldn't believe how many great albums were all released in this moment in time. I put together a playlist of seventy-two songs rather quickly as you will see I basically lifted almost all the songs from several personal favorites. 

A quick story. I'm fifteen and had a bunch of kids over from my church youth group. Being painfully shy, the thought of being a host for anything was terrifying. As the kids started coming into my family room and gathering, I was flummoxed, what to do to get this thing rolling? I had recently purchased Cat Stevens' Tea For The Tillerman and quickly retrieved it from my bedroom. I put the record on my parents stereo console in the family room and took a breath. Tommy Wishard, a couple of years older than me and a star basketball player at my high school, turned to me and said, "I love this album!" The evening went well, and another day saved by rock 'n' roll, not to mention my mom's French onion dip for the chips.

So I think I have you covered this week, enjoy, stay well and mask up!

James Taylor BBC in Concert • November 16, 1970


Doug's Playlist from albums released in November, 1970


Monday, May 25, 2020

50 Years of Music • April - May, 1970

50 Years of Music Series • 1970
January - March | April - May

Howard McIntosh Sr. (top row 3rd from right) - Santa Maria High School Varsity Baseball Team 1924 or 1925
April and May of 1970 reminds me of freshmen high school baseball. I wasn't the greatest player but was fast enough to often beat out an infield hit. On the defensive side I played first base. I loved playing first base simply for the reason that the ball usually came to my glove from a variety of infield hits, almost every inning. As a freshmen, I followed the crowd and played football and baseball. In hindsight, I wish I had focused on cross-country, track, and tennis.

But, that's not why I started this blog. The picture above, hangs in my bedroom/bathroom area and I look at this picture almost everyday. If you look at my grandfather's teammates, they are wearing the uniform of the day which was probably made of wool. Now my outstanding memory at 15 of playing baseball for the Santa Maria Saints was not any special play I made, it was the very old hand-me-down uniforms they gave us to wear. I swear to God, they gave us these wool baseball uniforms that could have been just a few years removed from my grandfather's playing days. My long-term memory on this one is specifically tactile, it was the constant goddamned itching of my uniform on warm spring days! 

Now my outstanding musical memory of 9th grade was Let It Be

In 1964, I saw The Beatles first appearance on  the Ed Sullivan Show on a Sunday night after church. We were in our living room with our good friends, the Reyburn family. So my brother Steve, sister Stephanie, and the three Reyburn children (Steve, Cheryl, and Brenda) and I are were all huddled around the TV with our parents sitting behind us. As the Beatles are performing, my dad (Buddy) and Mr. (Lee) Reyburn are making fun of The Beatles and we are telling them to, "SHUSH!"

Now fast forward to the summer of 1970, and I'm on a backpacking trip in the Sierra's with Lee and son Steve, my dad, and my brother Steve, all jammed in our family Vista Cruiser station wagon. We had a fantastic week hiking and fishing, and make it back to our parked car near the old China Peak Resort. We all pile into the car exhausted, and my dad drives home. At some point on the trip back home, my dad turns on the radio and after a while the song Let It Be comes on. We all sit silently and listen to the entire song. Lee Reyburn turns around from his front seat to us kids in the back, looks at me directly and says, "That is a beautiful song and I give The Beatles a lot of credit for writing such a song." Lee Reyburn was a real nice man and I liked him very much, and on that day, I connected with him for the rest of my life. Rest in peace, Buddy and Lee.

Now the playlist this week is chock-full of wonderful albums experienced at the time, and more discovered and appreciated later.

On this Memorial Day, there are several songs in the playlist that cover aspects of soldiers and the Vietnam war. As a 15 year old, I experienced the Vietnam War through the CBS Evening News with Walter Cronkite. In the summer of 1970, CBS aired a documentary in prime time called, The World of Charlie Company. I was glued to the TV watching an embedded film crew follow the 100+ soldiers of C (Charlie) Company, 2nd Battalion, 7th Cavalry Regiment, 1st Cavalry Division in 1970 during the Vietnam War.

The unit routinely patrols the harsh, heat-filled Vietnamese jungles in War zone C near the Cambodian border west of Saigon looking for enemy contact and supplies. The soldiers are worn down on every patrol by the exhausting conditions of heat, dense foliage and biting insects. The troops express diverse opinions about fighting the war. One soldier who opposes the war says he hasn't fired his weapon, a mortar, since arriving in South Vietnam. Others talk about killing the enemy as routine. "Killing gooks don't mean nothing," says one. The medic, a pacifist, says, "Killing for peace just don't make sense." The troops talk about their lives back in the United States that they commonly refer to as "back in the world."
Wikipedia

This documentary rocked my little world! I realized I was just three to four years younger than many of the boys fighting in the jungle for their lives everyday. God bless those boys! (I have included 3 video clips of Charlie Company at the end of my playlist. The first clip, was filmed on the morning of my 15th birthday.)

Okay, I'll finish this one on a happy note. I started dating my girl friend, Mary Kit in the spring of 1973. After coming back from a first date movie, the original Bloom in Love, we sat together on a red ottoman in her family room and listened to the 1970 Mona Bone Jakon album by Cat Stevens. Our first, 'our song' was Lady D'Arbanville. The red ottoman now resides in our living room.

Enjoy this playlist, and stay well my friends!



References

Note 1 - On the McCartney album, since I did a blog on the subject a few weeks back, I decided to just add the songs I didn't feature in A 'What if' Album: Apple Scruffs • The Beatles.

Note 2 - On May 11, 1970 the triple album, Woodstock: Music from the Original Soundtrack and More was released. I chose not to feature it here, as I've written about Woodstock previously and usually don't feature live or compilation albums. However, in this playlist I do sneak in several songs from The Who's Live at Leeds.

Monday, October 03, 2016

Vinyl Flashbacks

I might be typical of many boomers who grew up with great music in the 1960's and 70's who've come back around to listen to music again as adults now in their actual 60's and 70's. I remember buying albums for $1.33 (as that figure sticks in my head). I think I purchased George Harrison's All Things Must Pass (3 record set) when it came out in 1970 for $3.99 in a little record shop next to JC Penny's, maybe it was a bit more. Well, into the 80's, I purchased less albums, watched more music on TV and eventually got a CD player. Into the 90's, I purchased less CD's and got caught up in the rat race.

Now, with the empty nest, I have a bit more time to listen to music again as I love the old stuff and love so many new artist's as well. I've also made the time to go to more concerts again and it is simply a blast! My friend and college roommate, Mark Hunter first told me about the music category of Americana as I've now embraced that genre along with traditional genres of rock, folk, blues, bluegrass and jazz as my wheelhouse of music today. Mark and I must have spent hundreds of hours listening to albums together in our dorm and later in our apartments.

As my music blog's tend to go back to the well of my youth, I take my long-term memory here again to fuel this passion. I was so re-minded of that this past weekend on a visit to my home town of Santa Maria, CA and seeing several old friends. After having dinner with Ken and Vicki Forman and Jane Hobbs (Paul was very sick and couldn't make it), we went to Ken and Vicki's home. We were talking about music as usual and Vicki was showing me their CD and then vinyl collection of music. Jane pulled out the 1969 vinyl, Blind Faith album which had our friend Ron Zieman's name on the front and back jacket. I recognized the hand-writing immediately on the back and it sent me into a central coast high. Jane even said, "I think Doug's going into a flashback moment."


So my first flashback -  It's 1969 and I'm sitting on Ron's bed (who's my next door neighbor) and listening to the Blind Faith album with him in his room. Here's the thing about this period in time. When one of our friends bought an album, You might buy it too, because it was so good, but even if it was a great album, you often didn't buy it because you just went over to your friends house and listened to it. I don't remember borrowing albums much, we just listened to each other album's at who's ever house we were at. One time, I remember several members of my youth church group coming over to listen to my new Cat Steven's Tea for the Tillerman album. Tommy Wishard, where are you now?


My second flashback at the Forman's - I'm in a house (can't remember who's) but Ken and Vicki came over and we are listening to one of Dan Fogelberg's albums. I remember Vicki saying at that time how much she loved Dan Fogelberg.

Back to the present, I mention what I just said above and then Vicki brings out all of her Dan Fogelberg vinyl albums. I see his first album, Home Free and it's like seeing an old friend after many years. I touch it and remember it's recycled-like paper texture, kind of like Neil Young's Harvest album jacket.


So I'm back at my mom's house in Santa Maria thinking about writing this blog, my mind suddenly flashes back, I'm over at my friend Bill DeVoe's house. We go into his bedroom that he's just painted black (and I'm thinking, we should be hearing the Rolling Stones). Anyway, he plays me his new Bob Dylan album, New Morning. I remember the song, If Not For You from that album and, it was then recorded shortly thereafter by George on the All Things Must Pass album.

I guess as friends, Bob and George knew a few things about sharing too.



Footnote 1 - In 1978, I go up to see Mark Hunter in Sebastopol CA as he's into doing his elementary education certification program at Sonoma State University. He's living at a farm house with several people but he's actually living in a small wooden shack off from the main house. Nobody's home in the main house, we go in and he takes out one of his roommate's new album's from I'm assuming the roommate's record collection and puts on Dire Straits' debut album. I listen to Sultan's of Swing for the first time and I'm blown away listening to this with my buddy sitting on an oriental rug with lots of animal hair.


Footnote 2 - It's a couple of week ago, I go into Barnes & Noble and see their tiny vinyl shrine to Tower Records. I walk up and start running my fingers through the vinyl jackets just like the old days, my thumb, first and middle finger all working together, flipping the records forward in the bin to find a gem. I stop at Hotel California, pick it up and start the flashback total visual experience of looking at vinyl record jackets even before you listened to what's inside. I look at the little price sticker in the upper right hand corner, $24.95.

Now here's a little Monday Monday Music from each of these albums.