Thanks for the Dance is Leonard Cohen's fifteenth and final studio album and one that will probably grow on you the more you hear it. It was just released on November 22nd, a holy day for millions since my childhood, and maybe a fitting date for Cohen's finale. It has been a labour of love from son Adam Cohen who has been working on this project before and since his father's death in November, 2016.
Leonard Cohen is a perfect example of why music never stops teaching one about life. Like food and drink, your tastes change, blend, and mature. I don't remember the first time I heard a Leonard Cohen song, but as a young teenager probably would have said, "a droning poet."
I believe I have a memory of seeing Cohen's first album, Songs of Leonard Cohen thumbing through Paul Hobbs' album collection but don't ever think we listened to that one on his record player. Paul was and still is light years ahead of me musically and probably would have had that teenage listen with fellow friend Jeff McCarthy as together they would have appreciated Cohen's songwriting prowess as young lads.
Like fine wine through the years, I find Leonard Cohen's words and music to be wonderful, his voice a treasure of expression and experience. Give Thanks for the Dance a good deep listen in this week of reflection, and Happy Thanksgiving my friends.
This documentary has gotten a few harsh reviews, as notably Joni Mitchell is not even mentioned, even in the context of the California Sound evolving from surfing and car songs to more socially conscious and interpersonal songs. For god's sake, as a Laurel Canyon resident who released Ladies of the Canyon in 1970 she (and The Doors) deserved a little shout out here. Also the overuse of clips from the 1969 art film Model Shop as Slater's and Dylan's inspiration for the documentary is annoying but is easily put aside.
With that said, this 1 hour and 22 minute doc has plenty of great clips of its own as you get a snapshot of the the mid to late 60's in Laurel Canyon with some of the famous musicians who lived there and some famous musicians who didn't. My favorite was getting to watch Tom Petty talk about music one more time as this was his last recorded interview. The beginning of the film with Tom is a fantastic hook that for me is my ultimate sweet spot of Monday Mondayjingle jangle 60's rock 'n' roll and my original inspiration for writing this blog. For me, learning anything new about three of my all-time favorite bands- The Mamas & The Papas, The Byrds, and Buffalo Springfield are gem pieces to the rock 'n' roll puzzle for those of us who just can't get enough of this stuff. Man, to have a time machine and be a young adult in Laurel Canyon and on the Sunset Strip in the mid-sixties, would be...
Here's several key elements that make this film 'a must see' that covers the folk to folk rock transformation.
This starts with the transition of folk musicians and studio recording in New York mostly moving to Los Angeles shortly after The Beatles stepped off the plane in 1964. John Sebastian tells how Roger McGuinn started singing Beatles' songs in folk clubs in New York and Los Angeles with no success but with the guts of a pioneer and a Beatles inspired 12 string Rickenbacker 360-12 electric guitar.
In the film, Roger McGuinn gets a much deserved feature as a major architect from musicians singing folk songs with acoustic guitars to composing folk rock songs with electric guitars. Here's a quick clip (not in the film) of Roger and his Rickenbacker.
In the film, Roger and The Byrds take traditional folk songs like Pete Seeger's The Bells of Rhymney and transform it in their 1965 version. Here's a set of clips, first with Seeger's original version, and then The Byrds.
I also enjoyed the conversations with famous musicians who discuss how art is a continual process of iteration and the 'cross pollination' of songs that influence song writing. I bought a book a couple of years ago by Austin Kleon with the perfect title to describe this process of creativity, Steal like an Artist. In the 1960's, Laurel Canyon becomes such a place where collaboration + competition = creativity. One example from the doc, is how George Harrison adapts Roger's riffs on The Byrds version of The Bells of Rhymney that influence him in his 1965 song, If I Needed Someone.
Then, Brian Wilson is blown away by Rubber Soul and that inspires him to write Pet Sounds in 1966. In turn, The Beatles are inspired by Pet Sounds, and in 1967 create Sgt. Pepper's Lonely Hearts Club Band. (As a side note to the playlist below- I also include Buffalo Springfield's (Stephen Stills) Questions, which morphs into Carry On with Crosby, Stills, Nash & Young, and then Eric Clapton adapts the Questions riff for his song, Let It Rain(1970) .
July 25, 1965 - Newport Folk Festival
The film's MC role is played with perfect Bob Dylan DNA detachment by son Jakob Dylan, born in 1969. I think son Dylan does a great job tapping into dad's influence without mentioning his name. As the greatest songwriter of his generation, Bob Dylan himself also makes the historic transition from acoustic folk to electric rock 'n' roll and turns the music world on its head at the 1965 Newport Folk Festival.
As the documentary unfolds, I realize Jakob is the perfect medium to tell this story. His quiet casual manner and approach to the material works perfectly for the famous musicians who take his questions and run with it (e.g. David Crosby, Stephen Stills, Graham Nash, Tom Petty, Eric Clapton, Brian Wilson, Jackson Browne, Lou Adler and Michelle Phillips).
Jakob brings in his own generation of musicians to update 13 songs from the California Sound era that in their interpretation remain both current and true to the originals. In the playlist below, I start with the original 60's version and then follow it with the Jakob and friends take. I love his selections as Jakob goes for some of the deeper cuts, not just the hits and hey that's my kind of playlist! I highly recommend you make the time to watch echo in the canyon this week on Netflix, it's a trip!
In the past several weeks I have highlighted The Beatles' Abbey Road and Laura Nyro's New York Tendaberry, both released in September of 1969. This week, I focus on other albums released in September and October of that year with an ear to AM Radio. Being fourteen and a white kid from a small farming town, my main exposure to music of the day came from AM stations.
Even though I never purchased a 45 single or album from Motown (until Stevie Wonder in the 70's), I constantly was exposed to pop, soul and R&B by black artists on AM Radio. I didn't realize it at the time, but those tunes sunk in deep in my soul, and as I got older, I began to appreciate them more and more, and don't you know they stand the test of time.
Three of my all-time Motown favorites are featured here with releases by the singing duo of Marvin Gaye and Tammi Terrell. Tammy died in 1970 at the age of twenty-four from brain cancer. For me, this was Motown's best singing duo that was cut way too short and as the saying goes, "the good die young." Also got to give a shout out to The Temptations and The Supremes who made an album together in 1969. The Supremes are a very special group in the history of american music as their world wide fame reached across the races and opened up the door for many black artists to perform center stage in any city.
So here's my own TOP 40 (actually now 44) from that period that include some BIG hits and some songs you may have never heard before. Enjoy my friends.
A couple of weeks ago, I wrote about the 50 year anniversary release of Abbey Road by The Beatles. On September 24th 1969, two days before Abbey Road hit the airwaves, Laura Nyro released New York Tendaberry.
Laura is a singer-songwriter best know as a composer much like her New York Brill Building contemporaries in that other people made monster hits from her songs.
During this past year, I've been exploring Laura Nyro and find her completely fascinating. As I got into New York Tendaberry, I discovered the song, Save The Country inspired by the assassination of Robert F. Kennedy and the times of the late sixties.
After listening to Save The Country 50 years later, I couldn't help but link the lyrics with our current political times under one Donald Trump as history's loop-tape back to the civil rights movement and the policies and behavior of the Nixon administration. These lyrics are as relevant today as when Laura Nyro wrote them in 1968 expressing her fortitude with the continual efforts to preserve our democratic principles and the dreams they are built on.
Come on, people, come on, children
Come on down to the glory river
Gonna wash you up and wash you down
Gonna lay the devil down, gonna lay that devil down
Come on, people, come on, children
There's a king at the glory river
And the precious king, he loved the people to sing
Babes in the blinking sun sang "We Shall Overcome"
I got fury in my soul, fury's gonna take me to the glory goal
In my mind I can't study war no more
Save the people
Save the children
Save the country now
Come on, people, come on, children
Come on down to the glory river
Gonna wash you up and wash you down
Gonna lay the devil down, gonna lay that devil down
Come on, people, sons and mothers
Keep the dream of the two young brothers
Gotta take that dream and ride that dove
We can build the dream with love, I know
We can build the dream with love
We could build the dream with love, I know
We could build the dream with love
I got fury in my soul, fury's gonna take me to the glory goal
In my mind I can't study war no more
Save the people
Save the children
Save the country, save the country, save the country
Save the country
Here's four different versions of this patriotic call to save We the People from the #WrongSideOfHistory. Gotta take that dream and ride that dove, we can build the dream with love...
Laura Nyro, from New York Tendaberry, 1969
Complete album on Spotify | YouTube
UPDATE 10/28/19 - I have added songs to the playlist from new albums released by:
Neil Young, The Milk Carton Kids, Illiterate Light, Lana Del Rey, Green Day, No Vacation, Allison Moorer, Boy & Bear, The Cowsills and more, so check it out.
I have been so preoccupied with music from 1969 that I thought I'd better get back in tune with music happening now. After playing a little listening catch up since July (with a few albums released earlier this year), I now have a list of 80 songs from some great new albums.
In making a 'New Releases Playlist', I hit the music streaming services to cast and catch songs with the confidence of the Clive Davis: The Soundtrack of our livesearfor Rock 'n' Roll and Americana.
My metaphor of fishing for songs is a joke with myself as I hated fishing from an early age with the boredom and lack of movement involved for a fidget spinner like me. But when you listen to a song that gives you that back neck goosebump tingle excitement it's like the feeling of a fish striking your line, bending the ol' fishing pole and reelin' em in. To top all this off, Jeremy's got a great song on the album and included in my playlist (#59) called Story of a Fish. Sometimes the blog just writes itself...
Bailen, a sibling band that includes twin brothers, Daniel on bass, David on drums, and younger sister Julia on guitars. Julia is probably identified as the lead singer, but what sets them apart from many young groups today is their detail for harmony.
Their debut album, Thrilled to be here (on Amazon) has so many wonderful songs carefully crafted with harmony that I was just began adding most to this playlist. I can't tell you how many albums I listen to that have so little spark from one song to the next. I was thrilled and look forward to more of their songs in the future.
Liam Gallagher's second solo album Why Me? Why Not.(on Amazon) answers his own question with his usual growl look and parka to go against some of the catchiest pop songs since well, Oasis. I can't help but like this guy and hope he and brother Noel can some day bury the hatchet together and just get along.
And speaking of siblings, The Avett Brothers new album Closer than Tomorrow(on Amazon) plays to a strength of the brothers commitment and moral center as humans, family, and bandmates. You can't help but feel along with producer Rick Rubin that these guys care are about what's going on in their community and country. Their unique style is why the genre of Americana came to be in the last couple of decades because bands like the Avett Brothers were not exactly folk, rock, country or bluegrass, but a mix of everything. Like the albums above, I just kept adding their new songs to the playlist.
There's also a lot of new single or double songs from a number of artists in the YouTube Playlist this week. Over time, I hope you can listen to the whole thing including new albums to come in the weeks ahead from The Milk Carton Kids, and The Who (who as for the later, I'll be seeing on October 16th at San Diego State).
Enjoy my friends, and sorry Paul, I didn't have time to make a Spotify Playlist (so far) this week.
September 26th, 1969 marks the 50th anniversary The Beatles released Abbey Road. The album cover is one of the most recognized photos of the 20th century. I personally have it on the mouse pad I'm using to write this blog. I also have a framed 3D image of it (and this is for real), in my Yellow Submarine bathroom- painted completely school bus yellow with an assortment of Beatle photos on the walls and memorabilia scattered about.
My outstanding 1969 memory of the photo, is George Harrison's Clarks Desert Boots. Seeing that on the cover was just the coolest thing because all my friends and I had a pair, or at least a rip off version of the Clarks originals. In fact, I probably got mine at JC Penny after telling my mom I just had to have them. I believe in junior and senior high school I went through several pairs of both the low and high top versions. I can't speak for the rest of the world, but George had 1969 California chic down in that photo!
Now the desert boots got me thinking about the Schwinn Stingray. My stingray was in fact a rip off model from Montgomery Ward which we used to call, "The Monkey Ward." Speaking of monkey, the banana seat and monkey bars were great for my paper route. You could wrap the cloth bag holding the rubber-banded newspapers on the bars in a perfect position for grabbing and throwing.
Products are one thing to imitate, but The Beatles represented the music that launched the aspirations of thousands of bands across the globe. By 1965, The Beatles were the measure, the absolute standard of excellence in rock 'n' roll to emulate. And speaking of imitation, what about the countless graphics of Star Wars, Muppets, Simpsons, and other characters, or photos of people all in Beatle formation in the Abbey Road crosswalk.
In 1969, who knew that this was going to be their last album as a band (not counting Let it Be, recorded earlier and released after Abbey Road). It's only shortly thereafter in 1970 that "the dream is over" sunk in as reality. There were not going to be anymore Beatles albums coming out of Abbey Road Studios. Abbey Road, as brilliant as it was when we all heard it in 1969, continues to blossom with time and gets better, better, better...
By the way, you're listening to music on the radio or let's say on a digital device in shuffle mode and a Beatles song comes on, do you ever change the station or hit skip? I can't answer for you, but I think you can for me.
It's 50 years later this past June, Mary Kit and I are at Paul McCartney's Freshen Up Tour in Phoenix. Paul (now 77) finishes his three-hour set with the famous side two Abbey Road medley of Golden Slumbers, Carry That Weight, and The End. I had read the setlist in advance and knew I was going to cry, and I did.
For the 50th Anniversary, The Beatles on September 26th released a three CD or vinyl 40 song box set versions of Abbey Road. The box setincludes- illustrated book, demos, outtakes, and several other songs recorded during the Abbey Road sessions not on the original album, all remixed by Giles Martin.
I've been listening to Rodney Crowell's new album Texas and enjoying his collaborations with a slew of great artists including Ringo, Willie Nelson, Billy Gibbons, Vince Gill, Lyle Lovett, Steve Earle, and Lee Ann Womack. Here is a review from the Americana Music Show.
The first thing you notice about John Mayer's current Summer Tour stop in San Diego is the PA music before the concert, all 80's music. For a classic generation rock 'n' roller like me it's a subtle, "I'm glad you're here but my peeps are your children."
In fact, John Mayer's maturation from teen idol with screaming girls, to a large diverse audience of college kids, millennials, and gray hairs all screaming is a reflection of his setlist- an eclectic mix of singer-songwriter acoustic and electric guitar magic. Viejas Arena never sounded so good. If your mindset about John Mayer is stuck in a early 2000's tabloid magazine, please snap out of it.
I believe John Mayer is one of the best examples of an artist who may in fact be the definitive BRIDGE of rock 'n' roll from people like me who attended SDSU in the 70's to the current crop of students I saw at Mayer's concert last week. I knew John was going to perform his electric guitar mastery because I've been listening and watching him the last decade, but what really got me excited were the kids.
I stood with the entire arena that moved like a gentle wave to Mayer's set delivering the Blues, R&B, Funk, Folk and Rock 'n' Roll to a generation of young people that rocked to his groove. In a time where the "thump, thump" of DJ electronic club music is the default, it's good to see this generation of young people embrace an artist who writes contemporary music for them with a tune lineage from folks that carry Stratocasters. This won't be my last John Mayer concert, and along with fellow artists like Gary Clark Jr., I'll be going to rock 'n' roll shows for years to come.
My playlist this week are the 24 songs John performed at the SDSU show. Enjoy my friends!
It's second semester, I'm going to guess February or March, 1976 and Chris Mitchell walks into my dorm room in Toltec Hall at San Diego State University. Chris was a couple of doors down, and I believe he got a madman (punk kid liar) as his second semester roommate. His previous roommate Larry had moved back to San Francisco and Chris was suddenly spending more time in my room. Fellow hallmate and new lifelong friend, Mark Hunter may have also been in the room as the three of us would often listen to music together.
Anyway, to the best of my best recollection Chris comes in with the new Heart album Dreamboat Annie and says, "You guys have got to listen to this!"
Chris was all over this band. The album cover of the Wilson sisters, Anne and Nancy had me before the needle hit the record. I also remember Chris leaving a note on my door one day that said, "Joe Walsh has joined the Eagles." That note blew my mind!
Fast forward to September, 2019 and I'm floating down the lazy river in Las Vegas with Mary Kit all these years later. As always we catch Love at the Mirage and Bill Maher as well this round. Last night we saw Elle King,Joan Jett and the Blackhearts, and Heart at the Pearl Theater at the Palms. Wow, what a night of rock 'n' roll with these wonderful women!
Threads is Sheryl Crow's eleventh studio album and she says her last. She plans to continue touring and making singles but just won't be making complete albums anymore.
This album is special as it has been three and half years in the making with every song having one or more great guest artists. In a who's who starting with Johnny Cash to present day stars like Maren Morris and Chris Stapleton this album weaves an Americana vibe of artists and influences.
As by design, you will want to listen to every song on this album, multiple times. In the first pass, you might think you have found a favorite and the next song is just as good. The album builds strength off each song and you know why Sheryl named it Threads.
I have always loved Sheryl Crow as she kept classic rock 'n' roll fresh and alive in the 90's as the genre declined with new talent and airplay. Sheryl is one of the people who provided the bridge between women in the folk-country-rock 'n' roll classic era with the many talented women artists of today.
As Mavis Staples, Bonnie Raitt, and Stevie Nicks inspired Sheryl, she has in turn inspired younger women like St. Vincent, Brandi Carlile and Margo Price. This album is a real treat with all the above mentioned as contributors to this album, not to mention a few old guys who've penned a few songs in their time as well.
Thank you Sheryl Crow for all the great albums over the years as this one goes out on many high notes. And, with all these great artists around, these are Still the Good Old Days. Enjoy my friends!
August of '69, I'm about to enter high school and be on the freshmen football team. The tradition was that every football player at Santa Maria High School had to buzz cut their hair in order to try-out.
Can you imagine, all my friends are growing long(er) hair and I have to look like I'm going into the military. In 1969, the military draft were taking boys just 4 years older than me, to Vietnam.
My new buzz cut was a serious blow to my wannabe hippy thing. Maybe listening to bands like Jethro Tull with my next door neighbor Ron would keep me at least at the counterculture back door, looking in.
Now listening to Jethro Tull's album, Stand Up 50 years later is like a lightning bolt flash back. Ron had purchased the album, and like I've said many times in my blogs, I'm sitting on his bed listening and looking at the album cover art. Our auditory music memory is like our sense of smell, you hear it and you're right back in a place long ago. Stand Up holds up!
Mary Kit and I saw John Fogerty in Las Vegas a couple of years ago and he really puts on a fantastic show. If you have not seen John Fogerty recently, I highly recommend you go to one of his shows, it will make everything in the world pause for a couple of hours. Mary Kit says he's back in Vegas this November with his 50 Year Trip.
John's music is so pure and I often link Booker T. and the MG's and CCR with both having a simple and authentic sound that has stood the test of time. Green River holds up!
I have most Donovan albums checked in my Amazon Music app and he randomly comes up on many a trail run, and I rarely skip a song. By 1969, Barabajagalwas his seventh studio album and he kept his hits streak rolling with this album. I've included the song, I Love My Shirt which so reminds me of a song that the great children's songwriter, Raffi could have written. Donovan always did his own thing and didn't try to imitate Bob Dylan. I like that Donovan usually did an anti-war song on his many albums and on this one penned, To Susan on the West Coast Waiting [From Andy in Vietnam Fighting].
Santanais Santana's debut album who were one of the unknown bands to the Woodstock audience a few weeks prior in August of '69. Talk about great timing! Santana took off like a roaring lion and Carlos has never stopped. I'm partial to this original lineup and had the pleasure of seeing the organ and lead singer for Santana, Gregg Rolie several years ago in Ringo Starr's All-Star Band. Greg sings Santana's early hits and is never recognized until he starts singing and Ringo's crowds love it!
Harryis Harry Nilsson's fourth studio album and like most people I didn't get back to this album until he became more famous in the 1970's. The big song from this album is I Guess the Lord Must Be in New York City, the similar sounding song to Fred Neil'sEverybody's Talkin', the smash hit from the 1969 film, Midnight Cowboy. Director John Schlesinger had been using Nilsson's cover of Fred Neil's "Everybody's Talkin'" as an example of the kind of song he wanted on the final soundtrack but then decided not to replace it. If "I Guess the Lord ..." had been included, it would have been eligible for an Oscar, as it was an original song. Harry Nilsson did win a Grammy Award for Best Male Pop Vocal Performance for "Everybody's Talkin'" [in 1970]. Wikipedia.
The summer of '69 is a memorable period for millions of Americans. We landed on the moon in July and then Woodstock in August. In September, The Beatles release Abbey Road and we begin to close out a decade with some of the most memorable music ever made.
At fourteen, I didn't realize the impact of living in 1969 until years later, but often reflect back here in this blog with the knowledge and experience of When I'm Sixty-Four.
Woodstock was a music festival held August 15–18, 1969, which attracted an audience of more than 400,000. Billed as "an Aquarian Exposition: 3 Days of Peace & Music", it was held at Max Yasgur's 600-acre dairy farm in Bethel, New York, 43 miles (70 km) southwest of Woodstock. It was alternatively referred to as the Bethel Rock Festival or the Aquarian Music Festival. Thirty-two acts performed outdoors despite sporadic rain. It has become widely regarded as a pivotal moment in popular music history, as well as the definitive nexus for the larger counterculture generation.Wikipedia
My thoughts on Woodstock 50 years later are similar to the millions of people who wished they would have been there- it was one of the greatest "one-offs" in the history of mankind. Woodstock should have been a disaster, but in its totality was a wonderfully unique event in time.
The big 50th Anniversary concert promoted by original Woodstock co-founder, Michael Lang tried his best this round, but the big festival was recently cancelled, and in my thinking probably for the better. Like the disastrous, Woodstock '99, it just wasn't meant to be.
Max Yasgur
1969 @ Woodstock/his farm
However, in the town of Bethel, New York, the original site at Max Yasgur's dairy farm something wonderful happened this past weekend. A Woodstock anniversary concert was held there and no national news organizations seemed to be reporting on it as of my Saturday 8/17 draft of this blog, other than the regional Poughkeepsie Journal. Considering our times, and with a much smaller crowd, nothing happened other than peace and music.
I'm just now learning and about the Bethel Woods Center for the Arts • Site of the 1969 Woodstock Festival. This past weekend, they quietly put on a great show! I guess it doesn't matter if I'm 14 or 64, I'm still a day late and dollar short finding about concerts after the fact.
Well here's a little playlist of Woodstock-
somethings old-
Max Yasgur, the conservative Republican was the hero of Woodstock. Without Mr. Yasgur saving the day and allowing the Woodstock promoters to use his natural theater farm fields, Woodstock would not have happened, or happened as it turned out on Yasgur's Farm.
So you didn't see Woodstock live August 15-18, 1969, but a lot of young people like me watched Dick Cavett on August 19, 1969. Guests included Joni Mitchell (who was not at Woodstock), Jefferson Airplane, Stephen Stills and David Crosby who were at Woodstock. I love when Stephen shows off his Woodstock mud from his jeans. Where was Graham Nash? (He was there but off camera because his visa wouldn't allow him to do TV in America at the time.)
Joni Mitchell singing her song Woodstock, in 1970 on the BBC.
Some Woodstock moments in time...
and somethings new-
The 2019 Woodstock lineup at Bethel Woods included- John Fogerty, Arlo Guthrie, Santana, Ringo Starr and His Allstar Band, Tedeschi Trucks Band, The Doobie Brothers, and Edgar Winter. It would have been fun to be there. From the Poughkeepsie Journal, I watched a couple on video who said they were 14 and in Junior High, living in the region, and their parents wouldn't dare let them go to the original at that age. They were there this time to soak it all in live, and with some perspective. I like to think they represented me...
I could only find live video of Ringo... I have interviews with John Fogerty and Arlo.
and, look what they have done with the place! If you get a chance, go to the Bethel Woods story link above and the Poughkeepsie Journal stories with videos.
John Fogerty performs on the final day of the 50th anniversary of Woodstock
at Bethel Woods Center for the Arts in Bethel on Sunday, August 18, 2019. (Photo: John Meore/The Journal News)
Summer Tunes is a playlist I started last year. Here's a major update with just under 100 YouTube videos that is the perfect long-playlist for any summer activity. Enjoy my friends!
Western Starsis Bruce Springsteen's nineteenth studio album released on June 14th. I think the album is timely in that the late 60's and the "California Sound" are all the rage with a new crop of movies and documentaries covering the subject.
If you haven't noticed, I'm personally obsessed with the 60's in general but the sweet spot for me is LA from the mid 60's to the early 70's.
Bruce pays homage to that era of songwriting with thirteen new gems of his own. This theme-oriented album harks back to the days of listening to entire albums at a sitting. I would recommend you make time to do the same. Enjoy my friends!
And...
I'm introducing a new feature today for my Monday Monday Music playlists by creating a Spotify Playlist to duplicate my YouTube Playlist for each blog. Spotify Playlists can be downloaded to your phone if you want to listen to to my playlists offline. However, you do have to be a Spotify Premium Member ($9.99 a month) to download songs, albums and playlists. Thanks to loyal reader and great friend Paul Hobbs for this suggestion!
I thought I couldn't let the month of July, 1969 go without a mention of the moon landing by Apollo 11. In a previous blog, I mentioned my father's Norelco reel to reel tape recorder which I used to record an audio tape of Walter Cronkite's broadcast of the moon landing. The tape and recorder have long disappeared, but sometime in my 20's I snagged the omnidirectional external microphone that I used to tape stuff off TV and albums. To this day, I keep the microphone in a glass cabinet of souvenirs, including my first 35mm Minolta camera Mary Kit gave me in 1974.
This month, when I walked by the glass cabinet, I thought of the moon launch, landing and return to earth. That memory is very alive in my brain due in part to me knowing as a 14 year old how important this event was to mankind and the thought that I'd need to preserve an audio copy for history. Well, here's YouTube with "Uncle Walter" very much keeping what I had in my mind, back in the summer of '69.
As for the music of July of 1969, my outstanding memory is the song, Touch Me by The Doors. This song's got a bit of everything with the horns, the strings and Jim's vocals moving from gruff to smooth on the chorus, I loved this song!
Technically, the band's It's a Beautiful Day's by their self-titled first album was released in June, 1969 but wasn't on the Wikipedia list I was using and thus didn't make my June, 1969 playlist. Here I feature three songs from that album and didn't think you would mind...
I feature Delaney and Bonnie's second album The Original Delaney & Bonnie & Friends. The great musicians who passed through this band in the late 60's and early 70's is truly astonishing and a huge influence on why Eric Clapton quit Blind Faith to move towards Bonnie & Delaney's sound, not to mention co-opt much of their band when he formed Derek and the Dominoes in 1970.
I also love the Byrd's Preflyte album which was released in July, 1969 from their 1964 demo sessions when they were a little known band called the Jet Set.
Lastly, I have to mention my 8th grade home teacher, Mr. Richard Ziegler who got me hooked on collecting antique bottles and loved the band Canned Heat. I remember our last day of school in June, 1969 and Mr. Ziegler bringing in his record collection to play us his tunes.
Leonard Cohen is a perfect example of why music never stops teaching one about life. Like food and drink, your tastes change, blend, and mature. I don't remember the first time I heard a Leonard Cohen song, but as a young teenager probably would have said, "a droning poet."
