Monday, March 25, 2019

50 Years of Music, March 1969




In March, 1969 I turned a restless and inexperienced 14 years old. I lived in a small town looking at the peace and love counter-culture from the outside, wanting in.

The March entry for Wikipedia's 1969 in Music is a great panoramic snapshot of what would make popular AM radio to the new hip bands from America and England finding their way to the FM side.

From that counter-culture side, you have bands recording nine minute jams and I'm just dreaming myself into the live Fillmore West scene in San Francisco.

On the pop side, I was a big fan of Dusty Springfield, and her Dusty in Memphis is such a knock out classic that I've featured it here in the playlist as my personal favorite of this grouping of albums.

As always, I've tried to put together a little eclectic mix and hope you enjoy the ride of March '69.


Monday, March 18, 2019

New Releases @ the River of Streams, January - March, 2019



For the past several weeks I have been listening to a lot of new music, some put out by people with name recognition, but more so by folks who play Folk that I have never heard of before.

I use Amazon Music to do my digital fishing as I search the 'New Releases,' listen and determine- 'catch and release' or 'catch and keep' by the river of streams.

This week's playlist has 50 songs caught and kept from probably a steaming base of over 100 albums or so. Amazon does a nice job of breaking the New Releases into genres to get you to some smaller fishing spots.

I suggest you shift through my 50 songs here and if you are a fan of Americana music, you're going to find some new keepers to put in your own digital fish basket.

Note 1- The March, 1966 Field and Stream cover kind of looks like my dad. He loved his fishing!

Note 2- I was going to go back to Sunday School and somehow metaphorically weave Jesus and the fish and the loaves of bread, but thought I'd spare you that. Enjoy and share with others my friends!


Monday, March 11, 2019

Yola, Walk Through Fire


Yola Carter is a 35 year old British singer-songwriter who's just around the corner from being the next Americana sensation. Thanks to her performance at AmericanaFest 2016 that eventually led to her getting her hooked up with Dan Auerbach of The Black Keys and solo act sensation himself (check out his 2017 Waiting on a Song album). Auerbach has produced Yola's new album, Walk Through Fire, just released in February.

For this week's blog, I was working on featuring new music releases from January - March of this year, and had to put that on the digital shelf once I started listening to Walk Through Fire. Like so many people who hear her sing for the first time, I was simply knocked out. Auerbach was no exception, who instantly wanted to collaborate with her at his Easy Eye Sound studio and label in Nashville.

The result is a stunning album. Auerbach's influence as Producer who brought in a wealth of Nashville talent to support this project brings a very Waiting on a Song vibe without diminishing Yola's towering voice range across the album.

It is so rare for me to like every song on an album these days that it takes me back to my first listen to Carol King's Tapestry album in 1971. I'm not comparing the two, but Walk Through Fire is so well crafted as it goes to the deep well of American music and pre-digital recording.

Some would call this album 'Country Soul' but let's just embrace the entire palette of American music that has influenced this young woman as an example of why the Americana genre is thriving today, despite no mainstream radio time.

Check out these two articles to get Yola Carter's backstory (no Wikipedia page, yet) - St. George's Bristol and npr music 2016 and then, these two articles that review the album - npr music and the Tennessean.

For the playlist this week, I have included all 12 songs from Walk Through Fire, and several songs from her 2016 EP, Orphan Offering, and then some tracks recorded at live shows or radio streaming events. Maybe this is your first listen of Yola Carter, it won't be you last! Enjoy my friends.


Monday, March 04, 2019

50 Years of Music - February, 1969


It's February, 1969 and Cream is saying Goodbye in their last contractual record obligation with Polydor. As stated several times in my blogs over the years, the gem from that album is Badge written by Eric Clapton and George Harrison and included in the playlist this week.

Doing these blogs is always a blast to go back in time and listen to people like Mary Hopkin and hear her album Postcard, produced by Paul McCartney that includes several Donovan songs. It was also great to discover, Chicken Shack a British Blues band and Christine Perfect McVie's first band.

However, the pick of this grouping is an album that was not commercially successful at the time but later became a classic, The Gilded Palace of Sin by the Flying Burrito Brothers. I'm in the camp of people who see Gram Parsons as the "Godfather of Americana music" as a genre. Along with his other ex-Byrds bandmate Chris Hillman, they formed the perfect blending of country and rock that makes this album influential and legendary today.

From the driving Rock and Blues sounds of Cream, Ten Years After, Jefferson Airplane, MC5 and Vanilla Fudge, the soul of The Temptations and The Delfonics, to Michael Nesmith's country sound in The Monkees and the groundbreaking Flying Burrito Brothers debut album, there's still the sweet harmonies of The Beach Boys in early 1969. As Mary Hopkin sang,

Those were the days my friend
We thought they'd never end
We'd sing and dance forever and a day
We'd live the life we choose
We'd fight and never lose
For we were young and sure to have our way


Monday, February 25, 2019

Kacey Musgraves, 2/19/19 at the Paramount Theatre in Seattle


So what if Dolly Parton and Willie Nelson had a baby girl? Maybe she would be somebody like Kacey Musgraves, a singer-songwriter with model looks and clothes to match. This goes along with a strong sense of tolerance and minding one's own business, not to mention that she loves to smoke pot.

So ho​e your own row, yeah, and raise your own babies
Smoke your own smoke and grow your own daisies
Mend your own fences and own your own crazy
Mind your own biscuits and life will be gravy
Yeah mind your own biscuits and life will be gravy
From the song, Biscuits

Kacey speaks to people with an inner voice that they can identify with; someone willing to break with tradition while holding many values of tradition at the same time. Some may see her music as "schmaltzy" but I think she's got a Dolly and Willie-like intelligence to deal with the Nashville establishment on her terms. She may call herself, "Spacey Kacey" but there's a lot going on inside her head with the dichotomy of what you perceive is not what you are going to get. 

There's certain things you're s'posed to know
When you're a girl who grows up in the south
I try to use my common sense
But my foot always ends up in my mouth
And if I had to walk a runway in high heels in front of the whole town
I'd fall down
And my mama cried
When she realized

I ain't pageant material
I'm always higher than my hair
And it ain't that I don't care about world peace
But I don't see how I can fix it in a swimsuit on a stage
I ain't exactly Ms. Congenial
Sometimes I talk before I think, I try to fake it but I can't
I'd rather lose for what I am than win for what I ain't
From the song, Pageant Material

Then there's Kacey creating a synth "Space Country" sound in her 2018 album, Golden Hour. A departure from her previous two albums, Same Trailer Different Park, and Pageant Material. Here you have a woman whose head over heels in love with her new husband, Ruston Kelly and she's writing about it with a world view of wonderfulness. When I first heard it last year, I said to myself, "Oh, this is going mainstream and could be big, yes very big!"

Two weeks ago, on February 10th, Golden Hour won Kacey four Grammy's including Best Country Album, and the granddaddy music industry prize, Album of the Year.

Oh, what a world, 
I don't wanna leave
There's all kinds of magic, 
it's hard to believe

Northern lights in our skies
Plants that grow and open your mind
Things that swim with a neon glow
How we all got here, nobody knows
from the song, Oh What a World

Last week I got to see Kacey Musgraves in Seattle in what turned out to be the hottest ticket in town as she came into the Paramount with that fresh Grammy win to a wildly excited sold out crowd. The audience was quickly on its feet for the whole show with all the ladies enthusiastically singing along, knowing every word of every song.

A man in the center front row, got down on his knee and proposed to his girlfriend during Oh What a Wonderful World, Kacie looked down paused at that moment and said, "He's proposing!"

At another point in the concert, Kacey put the microphone down to her side and let the audience sing two verses of one her songs as that must be such a rush to be in Freddy Mercury territory! I see arena bookings in some cities just around the corner.

All that I know
Is you caught me at the right time
Keep me in your glow
'Cause I'm having such a good time
With you
from the song, Golden Hour

I hope you enjoy the wit and charm of Kacey Musgraves from my Playlist this week from her four studio albums. I believe she is one of the key people currently saving Country Music from itself.


Monday, February 18, 2019

For Real, Tom Petty



For Real - The previously unreleased track, taken from Tom Petty & The Heartbreakers career retrospective ‘The Best of Everything’. Pre-Order Now for the March 1st release.






Monday, February 11, 2019

Linda Ronstadt Live in Hollywood

Linda Ronstadt is a legend. I don't really know anybody older or younger who doesn't like Linda Ronstadt. Like many males of my generation, we not only loved her beautiful voice but carried a huge crush to match.

In 1980, she was at the top of her game, a bona fide rock 'n' roll star with a succession of platinum selling albums. In April of that year, she performed a live concert at Television Center Studios in Hollywood for an upcoming HBO Special.

Through a friend, I was able to get a bootleg cassette tape of the entire concert and played that thing to death in my new 1980 blue Toyota truck cassette player.

The concert has now just been released, Feb. 1st as a live album (view sources here) and I have delighted in revisiting these tracks with Linda and her wonderful band including, Wendy Waldman, Kenny Edwards, Danny Kortchmar, Dan Dugmore, Billy Payne, Bob Glob, and Russ Kunkel. If you ever read album jacket covers in the 70's and 80's, these guys were on everybody's records.

Nobody could belt it out like Linda, and it's extremely emotional for me to see one of my teenage idols stopped in 2009 from singing and doing the thing she loved the most due to her Parkinson's diagnosis. Now at 72, you can catch up with her in her recent February 7th interview in Rolling Stone and on the TV show, Sunday Morning  from February 3rd.

Here is my playlist starting with the Sunday Morning interview with Linda. Then, a mix of good and poorer quality video of the concert along with the better audio tracks from the album, as sometimes the 80's tape hiss is a bit much, but I love to watch Linda perform! Enjoy my friends.


Monday, February 04, 2019

Gary Clark Jr. - This Land (preview)

Here's a little sneak preview with a couple of songs from Gary Clark Jr.'s new album to be released on February 22nd, This Land. Gary just gets bigger and bigger with every album and I can't wait for the full release. I'll add songs to the playlist once they become available. Enjoy my friends!


Monday, January 28, 2019

50 Years of Music - January, 1969

In 2019, I will write a monthly feature of music released 50 years ago from that month in 1969.

I'm going to use 1969 in music from Wikipedia as my primary source as you can see by the January list here. If I (or Wikipedia) miss a big album, please feel free to write a comment, and I'm sure I will correct that in a re-edit from that blog.

I also plan to feature an entire album deemed 'great' (by me of course) from a month in 1969. Abbey Road and Crosby, Stills & Nash are just two albums that come to mind.

In January, 1969 I was in Mr. Richard Ziegler's 8th grade homeroom class. During that year, I became President of the Antique Bottle Club and certified nerd. Mr. Ziegler formed the club after his passion for finding and collecting old bottles in the creeks and old dump sites around the central coast of California. I did the same for a couple years and to this day still have boxes of antique bottles that I've carted to every apartment or house that I have ever lived in.

Looking back, I remember one Jr. High dance where a local cover band of high school students performed the song, In-A-Gadda-Da-Vida while I watched from the sidelines as kids tried to dance to it. As a side note- the album also titled, In-A-Gadda-Da-Vida released in 1968 was the biggest selling album of 1969.

If you follow Monday Monday Music, the real content is listening to the weekly YouTube playlists that I put together. And I thought it was my fantastic writing. No dummy, you just began the last sentence with, "And."

Ok, so one of the keys of life is making the time to do the things YOU want to do. If you've followed me this far, listening to music is one of those magical things of life.

So strike a match, light the incense and get back to a little 1969 in music.

Monday, January 21, 2019

Tommy Emmanuel, Accomplice One

One of the goals this year with my blog is to present whole albums from the past and present.

Great albums much like great novels are a musical narrative that must be experienced  whole.

Songs brought together in an album often write their own little chapters that bring together an emotional and cerebral experience. Collective songs on an album have the power to alter your state of mind, rise you up, take you on a journey, or just make you smile and shake your head to the rhythm.

Tommy Emmanuel is one such musician who is revered by many around the world. You can look at his discography and realize that he has made an album almost every 2-3 years since 1979. When you accomplish something like that, you realize he is making these albums for his joy, and the joy that it will bring others.

"One of six children, Emmanuel was born in Muswellbrook, New South Wales, Australia, in 1955. He received his first guitar in 1959 at age four and was taught by his mother to accompany her playing lap steel guitar. At the age of six in 1961, he heard Chet Atkins playing on the radio. He vividly remembers that moment and said it greatly inspired him." Wikipedia

Growing up, Tommy's family formed a band, sold their house and went on the road to perform when he was seven years old. Over the years he played in numerous bands traveling the world. His fame developed over the years as a highly coveted 'session player' recording on many musicians albums, not to mention his fun and relaxed personality made him friends and fans everywhere he went.

Tommy's gift as an acoustic guitar player begins with his hero, Chet Atkin's and following Chet's Travis picking style. Tommy as an Australian, is pure Americana in that his passion is to mix- jazz, blues, bluegrass, country, folk, rock and world beat rhythms into a musical deep dive accompanied by his famous finger picking. Tommy often beats his guitar with his right hand while laying down a percussion line with his left thumb on the top bass strings, while the remaining left fingers blend in a melody. When you watch this you realize his right fingers are literally dancing on the strings and he becomes, a one man band. Tommy does around 300 concerts a year all over the world. His heart and soul is the definition of troubadour.

If Tommy is anything, he is a collaborator.  He loves to play with other musicians and boy do they love to play with him. In late 2018, I discovered Accomplice One (you can buy it here on Amazon), released in January, 2018. So I'm about a year late to the Tommy E. party, that on this album includes- Jason Isbell, Amanda Shires, Ricky Skaggs, Jorma Kaukonen, David Grisman, Mark Knopfler, Jake Shimabukuro, and Rodney Crowell to name just 'the names.'

This album is a real collective treat that tells a story based on your imagination.  All the songs from Accomplice One are on the playlist this week, and please make time to watch Tommy's TED Talk at the end. Tommy's a classical gas!

As a footnote- I see Tommy has just released a new album called Heart Songs with John Knowles on January, 11th. And, in the story of my concert life have just discovered he played in San Diego at the Balboa Theatre on January 12th. I can't believe I missed this opportunity, my verbal language is quite colorful at the moment!


Monday, January 14, 2019

Val McCallum, at the end of the day

One of my new finds on Netflix is Off Camera (Sam Jones Pictures). In the 2014 Series 1: Episode 4 (Netflix Link) is Sam's interview with Val McCallum.  I had never heard of Val before, even though he probably was introduced by Jackson Browne at his Balboa Theatre concert in San Diego a couple years back. Val is Jackson's long-time lead guitar player on tour.

Val McCallum is the son of famous parents David McCallum and Jill Ireland. Val was born in 1963 and his father David starred in one of my all-time favorite TV shows from 1964-1968, The Man From U.N.C.L.E. as secret agent, llya Kuryakin.

I hesitated to write the above paragraph, as I'm sure Val lives the constant reminder of his famous parents before discussing his music, but for me being a baby boomer, I think he can appreciate the connection.

However, it is Val's closeness to his mother Jill in the Off Camera interview and her long journey with breast cancer that sucked me into the world of Val McCallum. I enjoyed his stories of youth, going to school with the Jackson Five, and into the life of becoming a musician and a session with Harry Nilsson as his first professional gig.

Sam Jones dives his into his 2012 solo album, at the end of the day which I immediately streamed off Amazon and then began the YouTube playlist for this week. In following last weeks blog about Scott Hirsch and his new album, Lost Time Behind the Moon; both albums are perfect January listening to albums as I'm writing this on a rainy cold Saturday with the fireplace gas logs burning.

If you're into the Americana genre, at the end of the day is a must listen with Val's well crafted songwriting combined with his sparkling acoustic and electric guitar.

And speaking of Americana, Val is also in what you might call a comic country band called Jackshit. Not only is Val having a blast just having a fun band, he's teamed with Elvis Costello's rhythm section, Pete Thomas on drums and Davey Faragher on bass. This is an extremely talented band in the same tongue-in-cheek vein as Dan Hick and His Hot Licks was, but completely different.

So my friends just sit back on this winter's day and enjoy the music of Val McCallum.



Monday, January 07, 2019

Scott Hirsch, Lost Time Behind the Moon

In my last blog, My Favorite Songs of 2018, I included several songs from Lost Time Behind the Moon by Scott Hirsch.

Here's a nice review from Pitchfolk by Stephen M. Deusner that will get you up to speed about Scott. I myself wasn't aware of his music until I stumbled upon Lost Time Behind the Moon on Amazon Music's New Releases section.
After reviewing and rejecting many songs for my 2018 list from famous artists who didn't make my cut, Scott Hirsch was a great fresh find!

After this past hectic holiday season, you might find yourself just needing to let your mind drift a bit. This album is just the ticket to putting you on the 'lost highway' of thought.

In this weeks playlist on YouTube I have included all the songs from Lost Time Behind the Moon and Hirsch's 2016, album, Blue Rider Songs.

I have to mention that Scott Hirsch lives in Ojai, California which always brings me back home to my days growing up (and trips back up to) the central coast. I'm going to venture that this region and state are the inspiration for many of his songs. Most people think of California as just a bunch of freeways when it in fact it has so many back roads and open space to explore.

I also see that Scott is a frequent performer at the Ojai Underground Exchange (and just this past Saturday), as I have included a couple of live video songs from there as well.

Also, just updated (1/12/19) - Living Liner Notes for Lost Time Behind the Moon.


Monday, December 24, 2018

My Favorite Songs of 2018


In 2018, I've made the time to listen to a lot of new albums. For me, listening to new records for the first time is like mining. In any type of mining, you spend most of your time digging and shifting. In the digs for new music, I'm trying to hear the golden songs that first hook my attention, and then work on my head and heart. 

As AM/FM radio is a wasteland in San Diego except for NPR (including NPR Music), and Jazz 88.3, Amazon Music and YouTube are now my go to digging. I'll also mention the podcasts- WTF with Marc Maron and the Americana Music Show as great resources for expanding my search for fresh songs and learning about the musicians behind the music . 

Music is such a personal thing for all of us. My wife and I love each other but our tastes in music would never have been the magical online dating algorithm to make us a match. I just love it when she gently yells up the stairs to me, "Would you please put your headphones on!"

As this blog took about 15 minutes to write, the playlist (now at 100 songs) has been going on for several months now. I publish it with the hopes that you will find at least a few golden nuggets of song that maybe you have never heard before.

Merry Christmas and Happy New Year!


Monday, December 03, 2018

Christmas Mix 2018

Christmas Mix
2015 • 2016 • 2017 • 2018 • 2019 • 2020 • 2021 • 2022


Well it's my fourth year doing a YouTube Merry Christmas mix without any single artist repeats from previous years with the one exception of John Williams, Carol of the Bells. After this fourth one, I had to reach a little deeper this year for NOT giving you the typical Christmas shopping mall loop tape.

Feel free to visit my past mixes above and have a wonderful Christmas. Now don't forget to play this mix with your family and friends while sipping on the eggnog, or my favorite, Kahlua N Cream (no vodka). Happy days my friends!




Monday, November 26, 2018

The Beatles: 50th Anniversary White Album - Esher Demos/Instrumental Backing Tracks Mix


On November 9, 2018 The Beatles released their 50th Anniversary edition(s) of the 1968 White Album. For many (including me), it's the best rock 'n' roll double album ever made and recorded in arguably the best year in rock 'n' roll history. It was released to the world on November 22, 1968, which happened to coincide with the 5th anniversary of John F. Kennedy's assassination. 

The six, yes 6 CD Super Deluxe Set includes 107 tracks or 5 hours and 26 minutes remastered by George Martin's son Giles Martin. Giles to many Beatles fans, is 'the keeper of the flame.' I end this week's playlist with Giles being interviewed about the White Album. 

Here is the Super Deluxe version for purchase on Amazon.

Here is the streaming version on Amazon Music.

One of my most favorite Christmas shopping memories was driving down to the La Cumbre Plaza shopping center in Santa Barbara to Christmas shop with my next door neighbor Ron Zieman and his family. Ron was on a mission from God to get The Beatles White Album for Christmas, as it was not yet available in our small town of Santa Maria, CA. I was along for the ride, but I remember Ron's expression as I believe he found it in a department store and held it up like the Willy Wonka 'golden ticket.' When we got back home, it was never Christmas wrapped, but rather unwrapped quickly from it's shrink wrap and we were listening to it in Ron's bedroom on his portable record player that night. 

Fifty years later, I realize the magnitude of 1968 on the world, but I had no idea how the music of that time would shape my life in such a profound manner. It in fact helped me look at the world from a bigger prism than my small town projected. The music and particularly The White Album came to me in my 13th year and today, frames a place in time when I was just starting to grow up. 

Martin Luther King Jr. had been assassinated on April 4th, and Bobby Kennedy on June 6th, 1968. On the night of June 6th, the California Primary, my dad and I stayed up to watch the race and results and I remember it as a bonding moment as we talked with my questions and his explanations about how this game was played.  I went to bed with Bobby winning and then was awakened by my dad with the news. I'll never forget the look on his face as he told me. This was a beginner's punch in the gut lesson of politics, swirling and evolving in my head.

Then in the fall, the White Album is released and it's simply a masterpiece of music. No concept album here, an eclectic mix of styles all blended to expand a young person's perceptions of music, and thinking. For example, as a 13 year old, John's line in Revolution"But if you go carrying pictures of chairman MaoYou ain't going to make it with anyone anyhow" was synthesized by me to- think for yourself, not to blindly follow a leader or the crowd.



The 50th Anniversary mix gives us all more Beatles to listen to. It includes the 27 rehearsal 'Esher Demos' made in one magical day at George Harrison's house shortly after the group had returned from their trip to India together. These demos were taped on George's reel to reel tape recorder in late May of 1968 and before the band entered Abbey Road Studios to cut the album. 

For a deeper look, read Rob Sheffield's article in Rolling Stone - The Beatles’ Esher Demos: The Lost Basement Tapes That Became the White Album

Last week, I was so excited to find the Super Deluxe (all 107) tracks posted on YouTube that I had to write this blog and include it here. 

For the Playlist this week, I've mostly assembled the Esher demos coupled with the instrumental tracks, out takes and remix tracks from the 50th Super Deluxe Set to make my own little White Album. These tracks capture the acoustic and harmonizing Beatles- all of whom seem to be having a wonderful time together. There has been a lot said about the internal discord of the making of this album that would eventually lead to the breakup of the band. But I agree with Giles Martin, if you listen to his interview, he says he can't hear the discord but rather the genuine Beatle banter and laughter on all the audio he poured through to do this 2018 remix.

So what's your favorite songs on the White Album, old or new mix? Let me know in the comments section below if you like.

This go around, my favorite is the lads singing backup vocals to Ringo's lead on Goodnight (Take 10 With A Guitar Part From Take 5).  

Take it from the 1968 thirteen-year old and the current sixty-three year old as it is agreed,
The White Album is a marvel to listen to at any age.

Monday, November 19, 2018

My Thanksgiving (Playlist)

South County Turkey Trot 2014 (Pismo Beach, California)

I hope this holiday Thanksgiving week provides you with a little time to spend with family and friends. Mary Kit and I are off to Santa Maria this week to do both while visiting my childhood home with my mom. 

On Thanksgiving morning, my sisters and I will be bringing back our "Team Tortoise" group to do the annual 10K Turkey Trot in Pismo Beach to benefit the San Luis Obispo Food Bank. Here is an updated link to the Santa Maria Times Article of the event.

I have a lot to be thankful for and want to wish all my family and friends the best as we are all blessed to live together in this great country. A couple of songs came up this past week on my Amazon Music stream while jogging that are the inspiration for this play list. Don Henley songs seem to always have a timeless relevance (to me) and when I heard his My Thanksgiving on the trail, well it just captured my feeling in these current times and leads this eclectic selection of 31 "thankful" videos.

Enjoy my friends, Happy Thanksgiving.

Monday, October 29, 2018

Jesse Colin Young • Live at the Belly Up • 10/28/18


Last night I had the pleasure of seeing Jesse Colin Young with my old buddy Mark Hunter at the Belly Up in Solana Beach, CA.  Mark and I go way back to our college days together as we became fast friends in our first year at San Diego State in the Toltec Dorm in 1975. We used to meet in the Toltec commons area where they had a big console TV and we watched several of the first episodes of Saturday Night Live during that year.

For high school graduation, I had received a rather large stereo system as a gift from my parents, and managed to cram that into my little dorm room with my roommate Kevin Kuhlmeyer. Anyway, my room became a kind of hangout for listening to music and my girlfriend, Mary Kit would bring her Zapotec girl dorm friends over, so it was kind of a happening place for a nerd like me.

We listened to all kinds of music as some would bring over cheap beer and their albums.  Mark would drop in with either his Martin guitar, or have some really cool records in hand to listen to, like Jesse Colin Young.

Now I had seen The Youngbloods (Loggins and Messina opened) at Cal Poly San Luis Obispo in 1972, but really didn't know much about Jesse Colin Young who like Mark had lived in the San Francisco Bay Area. Mark provided this introduction so to speak.

After that first year, Mark and I broke from the dorms and got a two bedroom apartment together about a mile from campus. We listened to a lot of music that year, because we were both broke and I remember us heating tortillas up on the stove and eating peanut butter burritos many a night.

It was during that school year of 1976-77 that I got my stereo system stolen after we had left the windows open during a heat wave.

No worries, I downgraded where I found an ad on campus and got a simple record player. Both Mark and I took that cheap stereo with us to another apartment on a street actually named Jessie St. I'll never forget that time thanks to Mark, listening to Jesse Colin Young's hot streak of albums through the 70's including, Song for Juli, Lightshine, Songbird, On the Road, and Love on the Wing.


So, it was incredibly fitting that Mark and I would get together all these years later and spend an evening together listening to Jesse Colin Young with his wonderful band of young people. I say that because it seems Jesse went shopping one day at the Berklee College of Music in Boston and literally recruited all these talented, young musicians to be in his band. Actually, Jesse saw all these musicians as students performing at their graduation ceremony with Jesse's son Tristan Young, also a graduating student at Berklee, and now bass player in the band.

Mark commented how brilliant it was for Jesse to assemble this group and take them out on the road and into the studio together. As good as Jesse is to his band, they are equally good to a 76 year old legend who has suffered greatly over the years as he was not correctly diagnosed with Lyme Disease. Jesse said last night that ten years ago he thought he'd never be able to perform again and now that he is being treated for his disease, has been given another chance to be the troubadour he has always been. Now, he gets to do his thing surrounded by a fresh group of young people that give a real pop to the Jesse Colin Young jazzed infused sound of folk rock of the middle 1970's.

Here is my shot of the group from my cool loft seat at the Belly Up last night.


It was truly an evening to remember. Jesse has all these great songs he has written over the years as a folk singer in Greenwich Village, leader of the Youngbloods, and then his successful solo career. I had forgotten how many great love songs he has written that still touch me today. In this week's playlist, I got a chance to catch up on some "newer" songs that I had never heard before and look forward to his new album coming out in early 2019.

So Mark, this one's for you, thanks for all the good times- past, present and future!

Monday, October 15, 2018

Graham Nash - Humphreys San Diego 10/13/18




A music wish list of mine from the past was to see Crosby, Stills, Nash & Young together, and now, all of them separately. I did see CSN a couple of times over the years, but never as CSNY. In the past two years, I have seen David Crosby, Stephen Stills and Neil Young as separate solo acts (with Stephen Stills with The Rides).

Last Saturday night, I got to complete the four way treat by seeing Graham Nash at Humphreys by the Bay in San Diego. Now when you think of Graham Nash, your first thought is not as a solo act, not that he can't pull that off and did brilliantly on Saturday.  It's just that you think of Graham as a team player in a band. His beautiful voice was first made famous with The Hollies and his pairing with Allan Clarke. He then went on to make music with David Crosby and Stephen Stills, then later adding Neil Young to make CSNY. I also have to mention his 1971 solo album, Songs for Beginners, as one of my favorite records of all-time

Over the years, the pairing of David Crosby and Graham Nash has transcended CSNY as those two voices blended together to make a perfect sound of harmony. As a fan today, it is heartbreaking that David and Graham are still not talking to each after several years.

It's no secret that David Crosby is an asshole as he himself told the audience at his SD Balboa Theatre concert in 2016. I listened as he told a story about his behavior being the reason he got kicked out of The Byrds in 1967.

Over the years, I have always admired Graham because he was the definition of a good friend, especially to David Crosby. Crosby's huge ego coupled with his legendary drug problems, prison sentence and liver transplant have been well documented over the years, with Graham always there to support his friend. Let's hope these two can square up before one of them dies. Too many friends have made that mistake over our time on this earth. I'm actually hoping David is the first to reach out and pick up the phone and call his old buddy. Life typically only gives you one handful of people that you can count as true friends, and those gifts are not meant to be broken.

In the meantime, Graham Nash is having a grand time singing solo in smaller venues. But wait a minute, once you go see Graham as a solo act, you quickly learn of a new partner, one Shane Fontayne. Shane is a great guitar player and good backup singer. For Graham's latest album, This Path Tonight the two co-wrote 20 songs together in preparation and Shane produced the album.

The pleasant surprise of seeing these these two guys live is that you get to hear all these great Graham Nash songs that he has written since the mid 1960's, but with an electric guitar master to help interpret the songs with new colors. During the concert, Mark Knopfler came to my mind as Shane can subtilely bend and slide notes with the best of them. His guitar "Whale Sounds" on Wind on the Water, knocked me out. Graham at the end of that song said, "Shane does Whale well."

What was not a surprise, is the well preserved 76 year old voice of Graham Nash. Graham has always taken good care of himself and it shows. Nothing better than listening to two guitars in sync with a timeless voice that still carries the day in 2018.

In this week's playlist, I've tried to capture Saturday's concert with current videos of the 70+ year old Graham Nash mixed with some of his rock 'n' roll hall of fame recordings, along with a few short interviews as well. Enjoy my friends!

Monday, September 24, 2018

Truths in Storytelling with John Prine and Todd Snider at the Paramount, Seattle WA 9/22/18


In 2015, I saw John Prine with his mentor Kris Kristofferson in San Diego. I wrote a little blog about it called,  The difference of 10 years and heroes with the premise that our heroes or mentors come from the immediate preceding generation.

On Saturday night, Mary Kit and I had the pleasure to see Todd Snider and John Prine in Seattle thanks to the warm invite from our old Santa Maria friends Ken and Vicki Forman whose daughter Emily lives in Seattle with her family.  Mary Kit's three kids and their families also live in the greater Seattle area. So the four of us decided to meet up here, spend the day together and see the concert.

Before the show at dinner, Ken was telling me how John Prine took Todd Snider under his wing and that Todd has opened many shows for John over the years and helped build his career as a singer-songwriter. For me, it was a perfect connection of mentorship from Kristofferson to Prine and Prine to Snider.  These unique individuals all have the gift of storytelling in their songwriting.  It is a gift that reveals the plain and simple truths about men and women, working people, people living in a simpler time, injustice, the amusing, the open and shut doors, and the wide open spaces.

Todd opened the show with his stories and songs and I don't think I've ever seen such a perfect opener for the main attraction. If you have never seen or heard Todd Snider, he is funny as hell but can turn that emotion around quickly with a darker perspective. His gift is his balance between stupid funny, serious satire, and folk singer. I became a convert in a sold out theater of the Todd Snider faithful with a lot of hoots and a standing ovation at the end of his set. Thanks to Ken and Vicki for the introduction.

Now John Prine at 71 has 20 years on Todd Snider, and the master came out ready for spit and fire. He has a new album, The Tree of Forgiveness, which had me at the title before I even listened to the album when it came out in April. Prine backed by his fantastic band moved through the new songs intertwined with his famous standards and I felt the audience embrace every song like a winding stream. (Here is the setlist.)

So why does everyone love John Prine these days? I think we are all needing real stories, stories John Prine communicates through his songs of our shared humanity to love and respect each other.

For me, Saturday night was a range of emotions from laughter to tears. This is something you go to a theater for when you see a play. It was an Americana Folk passion play of plain truths about ourselves, past and present. In our current times, where bullshit and hate have become king and queen on our national stage, truth has mostly taken a back seat.

The audience at the Paramount on Saturday night was ready to be entertained. They came to see a couple of their heroes who represent genuine honesty, humor and truth in song. I walked into the building to be entertained too, and I was.  But what I came away with more than anything, was the wonderful feeling that it was simply nice to escape from the news of the day and hear from a couple of authentic Americans on a very friendly stage.

Here's a little mix of Todd Snider and Americana Music Awards 2018 Artist of the Year Award, John Prine. Note - I found several phone videos from the tour the night before in Portland, Oregon and thought that close enough to Saturday night.

Monday, September 17, 2018

Eagles at The Fabulous Forum 9/12/18

Andy Keilen / Forum Photos
It's been 43 years since the Eagles played The Fabulous Forum for the first time. I did not see any of those famous Forum shows, but did see the band in 1979 at the Sports Arena in San Diego. Back in the day, both the Forum and the Sports Arena were designed for sporting events, not music concerts. But as rock 'n' roll acts got bigger and bigger arenas became prime locations for rock concerts. 

I saw Elton John at the Forum in 1974 and remember what many would call "the sound bounce" off the walls, but nothing was worse than the Sports Arena bounce if you were sitting up high. Speaking of high, most were, so I guess the acoustics didn't matter much but to a nerd like me.

The Sports Arena today is a tad better with probably a $1000 worth of hanging ceiling panels to baffle the sound. I did still hear the sound bounce several times at a James Taylor concert at the Sports Arena (now called the Valley View Casino Center) in 2015. James Taylor, really... Yeah James Taylor and his wall of Marshall amplifiers!

Now the Forum is a whole different story these days and truly a horse of a different color. In 2012, the Madison Square Garden Company purchased the Forum and immediately put $50 million into a complete renovation including $18 million more by the City of Inglewood. A good deal of that money went into transforming the acoustics in the building. In 2015, I saw Don Henley on his Cass County Tour, I couldn't believe the sound quality of not only the excellent band, but the building itself, it was well, fabulous!

So this past week on September 12th, we continued (my wife) Mary Kit's passion of seeing either the Eagles or Don Henley somewhere on the west coast of the United States, as much as possible. This time it was the Eagles first night stay at the Forum.

On this first night of three concerts at the Forum, Don opened the show with the announcement that their manager, Irvin Azoff would probably be making a boxed set of these shows. I'm thinking to myself, how many boxed sets can the Eagles make of their 1970's material and who's going to buy that? Well, I looked to my immediate right, and my lovely wife says to me, "Oh I'm getting that!"

Okay, if you read or watch TV you know that Glenn Frey died in 2016 and the Eagles then added Vince Gill and Glenn's son, Deacon Frey to the band. This has literally proven to be a sound move on the band's part to first- continue the legacy of Glenn through Deacon and then, bring in one of the finest singers and guitar players in Country music with Vince Gill. Both add tremendous new elements to a very familiar act and harmony of sound that has defined this band and a generation of fans. You'd think the sea of gray at the Forum was an AARP convention.

This new version of the Eagles were perfect from my old ear, and I mean perfect musically and vocally. Both the band and building made the sound magical, and this is an audience who knows every word of every song in this sing-along night with every guitar lick as clean and clear as their album recordings.

Now that brings me to Don Felder and his famous dismissal from the Eagles in 2001. Much has been made of this over the years. My idealistic hope was that after Glenn's death, maybe Don Henley would see the light like both Glenn and Don did on their 2014, History of the Eagles Tour when they invited Bernie Leadon back for that tour. I will say when I saw that that tour here in San Diego, I had tears in my eyes on that night when Bernie come on stage. Nobody even dreamed of Glenn's passing just two years later, but I was hoping against hope that bygones would some how be bygones, but that wasn't going to be. If you don't understand what I'm saying, just watch the 2013 documentary, History of the Eagles on Netflix.

Photo by Jon Gitchoff
So whatever you think of Don Felder, nobody can deny his contribution to the songs and sound of the Eagles. Today that lead guitar sound and back up vocals is filled by a very accomplished musician named Steuart Smith. Steuart replaced Don Felder in 2001 and has been with the band ever since. He is also a band member in Don Henley's band on his solo tours. In 2007, the Eagles last album of original material, Long Road out of Eden has five songs where Steuart Smith shares cowriting credits.

I thought for this post, I would be writing about Vince Gill, who was fantastic in his own right on backup vocals and guitars with also some great shining moments on several lead (Glenn) songs. I was glad they let him sing one of his solo hits, Don't Let Our Love Start Slippin' Away. I guess if Joe Walsh gets to do his solo hits at Eagles concerts then the others can now get a solo hit into the Eagles' setlist. Hell, they even did Don's, Boys of Summer to our delight!

But for me, I kind of zeroed in on Steuart Smith as he has a unique position in the band- a first tier player on the front line, but with second citizen status as a band partner. He plays right next to Joe Walsh and shares as many lead guitar duties as Felder always did. In fact Steuart Smith had so many close up shots on the big screens behind the band simply because he's doing so much of the lead guitar playing.

I'm sorry but I was kind of appalled that he was never introduced during the evening, not even a shout-out after several great songs where he did most of the heavy guitar work. This just struck me as odd. He should have been out there with the band taking their final bow at the end of concert, especially with the future box set cameras rolling. (At a Paul Simon concert this year, Paul literally introduced every member of his large ensemble band, and that goes a long way with enduring fans.)

I'm sure Steuart Smith has no complaints, is paid extremely well, and is as happy as punch to be in the Eagles for the long run.

(And if the Eagles [=Don Henley] won't do it in their show, here's my appreciation for the man on the far right of this picture below. And to be fair to Don... here's an entertaining article of Don ejecting a concertgoer for shouting Don Felder's name while introducing Steuart Smith at a 2015 show in Detroit.)
Left, Vince Gill, Timothy B. Schmit, Don Henley, Deacon Frey, Joe Walsh and Steuart Smith @ the Forum 9/12/18
(Photo by Will Lester, Inland Valley Daily Bulletin/SCNG)

I haven't found a good Steuart Smith clip at the Forum (so far) so here's a phone video I found on YouTube from the Eagles 2017 show at Safeco Park in Seattle that Mary Kit and I attended, featuring Timothy B. Schmit and Steuart Smith on I Can't Tell You Why.



Here's a quality clip of Don and Steuart doing Boys of Summer with Don's solo band and Steuart playing the Mike Campbell guitar composition for the song.



If you get a chance, try to see a concert at The Forum, you'll have a great experience. As for the Eagles, they are still flying high with their two new band mates. Deacon Frey is not a gimmick. At 25 he has big shoes to fill and is doing a great journeymen's job. The new pairing with Vince Gill is brilliant marketing but backed with a quality of sound that is unmatched, not even by the original members of the Eagles.

I decided not to do a playlist this week because you've already have heard the Eagles tunes a million times. If you can, try to see the Eagles live (see current tour) once before they are gone as a group; it's as crisp a sound as putting on a new vinyl record of the best selling album of the 20th century, Eagles Their Greatest Hits (1971-1975).