The #BestSongIHeardToday series is often centered around hearing great songs while exercising. These posts will tend to drift into health related topics but will always come back to the music that brought you here. This particular series is probably more about a self journal to help me stay on the path of healthy living that includes, listening to old and new tunes. If you're looking for a great mix playlist of 25-30 songs, just click on one of my Volumes above.
"No regrets, coyote"
On my weekly trail run, I always listen to my Amazon 'My Music' on shuffle with the sound on speaker mode on my armband. Originally, I did this to alert the coyotes that I'm on the trail and maybe they should just move into the brush. I also now do this to alert walkers or joggers to mask up as I can tell they usually hear me coming before seeing me. Unfortunately, as now is often the case, they have NO mask to mask-up.
In the photo on the left, I've seen this juvenile coyote before usually on this stretch of the trail. The coyote is all ears as it hears my music (a Poco song I believe) and has quickly spun around and we are having a little staring contest while I snap this shot. I actually enjoy running into this ol' soul whereas the humans, not so much these days. My once good old Transcendental "Good Morning," greeting has been displaced 'in the time of coronavirus' with me now muttering inside my brain, "Mask-up motherf......"
But then, it's back to the wonderful canyon rustic trail cutting through my suburb, my rhythmic pace and often the surprise of the next song. On my typical hour run, I hear about 14 - 18 songs and play a game as I say to myself, "Oh this one is the best so far." Then usually several songs later, another song has knocked that one off the mantle of what potentially could be, the #BestSongiHeardToday running on this trail.
My plan is to collect twenty-five songs as a stand-alone playlist. Here's Volume I of my random best while on the run.
Note- This week I introduce my 'new and improved' blog look that I hope you will enjoy. I think it's easier to navigate to all my blog posts and works well with smartphones.
I have also reintroduced the 'Comments' section below. Feel free to leave a comment, but please DO NOT piggyback a free advertisement with a LINK to a business site. Thank you.
Have a great Thanksgiving week, be safe and mask-up my friend!
Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a genre of popular music that originated and evolved in the United States during the late 1940s and early 1950s from musical styles such as gospel, jump blues, jazz, boogie woogie, rhythm and blues, and country music. While elements of what was to become rock and roll can be heard in blues records from the 1920s and in country records of the 1930s, the genre did not acquire its name until 1954.
In the earliest rock and roll styles, either the piano or saxophone was typically the lead instrument, but these instruments were generally replaced or supplemented by guitar in the middle to late 1950s. The beat is essentially a dance rhythm with an accentuated backbeat, which is almost always provided by a snare drum. Classic rock and roll is usually played with one or two electric guitars (one lead, one rhythm), a double bass (string bass) or after the mid-1950s an electric bass guitar, and a drum kit. Wikipedia
I start this installment with the question, "Would you consider Simon and Garfunkel a rock band?"
To answer that question for the purposes of this blog, I'm going to say, "Yes and no."
Yes, because the duo embodies the above definitions with their blending of folk and rock 'n' roll genres.
And no, in the sense of rock 'n' roll moving in the mid-1960's to a more electric 'rock' sound.
In the blog today, I want to emphasize bands using electric guitars, electric bass, drums, keyboardsand technology connected to large amplified speakers as the primary instruments used across a group's repertoire. Sure Simon and Garfunkel recorded songs like A Hazy Shade of Winter, but the rock-oriented beat of that song is more the exception than the rule to their catalog of music. Or, in my clumsy way of saying they had 'less rock and more roll' and boy did their music roll. (Note- Simon and Garfunkel were voted into the Rock 'n' Roll Hall of Fame in 1990.)
John Mayall & the Bluesbreakers
Okay, what about individuals like Eric Clapton who was in so many terrific bands across his career, but also did a significant number of 'solo' rock albums. Here I'm going to say, "No" just pick one or more or these bands he was in.
I want this to be a focus on a two or more member rock-oriented ensemble. Okay, what about bands that have a front person identified by name but also have that critical collaborative ensemble that makes them a rock band? Tom Petty and the Heartbreakers and Bruce Springsteen and the E Street Band quickly come to mind, because all the bandmates in those two bands became famous in their own right over time, so that's a big, "Yes."
My wife Mary Kit is going to bring up Elton John again, so is Elton John a band? I'm going to say, "Yes" because I'll have hell to pay if I said "No," but I'm going to say "yes" because Elton John wasn't ever in another famous band other than his own, and Elton had a life-long collaboration with his bandmates Nigel Olson, Davey Johnston and Dee Murray (RIP) who helped create the rocking Elton John sound. How 'bout Elton John and the Jets? Anyway, I'm not going to veto solo acts from anyone's list like Dylan, Bowie, or Prince, but first think of 'electric-ensemble bands' and their fascinating band names for your favorites list this week.
So hopefully this is all clear as mud and let the proceedings begins.
In this FAV FIVE it started like the previous episodes with a pen and paper brainstorm. This one flowed like a breeze compared to the others as I nailed the first four bands out of my head and into their final ranking order on paper. Now for number five? I said this is going to be easy as I thought of band name after band name feeling a little more doubtful as the list got longer and longer. Who to choose after The Who?
Doug's brainstorm list-
1. The Beatles
2. The Rolling Stones
3. The Who
4. Tom Petty and the Heartbreakers
Now for that last pick.
The Kinks - If I had to pick a #5 this week (1/5/22) it would be these guys.
The Beach Boys
Eagles
Fleetwood Mac
Cream
Traffic
The Jimi Hendrix Experience
Creedance Clearwater Revival
The Hollies
The Band
Elton John
David Bowie
Queen
Yes
Electric Light Orchestra
The Moody Blues
The Byrds
Buffalo Springfield
Crosby, Stills, Nash and Young
The Allman Brothers
The Flying Burrito Brothers
Bruce Springsteen and the E Street Band
Led Zeppelin
Emerson, Lake, and Palmer
Chicago
Loggins and Messina
Dire Straits
The Bangles
REM
The Black Keys
Tedeschi Trucks Band
Jason Isbell and the 400 Unit
The Jayhawks
Sheryl Crow
Gary Clark Jr.
I could have easily picked the Eagles, Fleetwood Mac, The Byrds, CSNY or Bruce Springsteen and the E Street Band, but went with Loggins and Messina. Loggins and Messina was my first rock concert (Cal Poly-San Luis Obispo) in 1972 after their Sittin' In album had been released in November, 1971. They opened for The Youngbloods and blew The Youngbloods and gym audience away. (In fairness to The Youngbloods, they were actually breaking up at the time and no telling the behind the scenes circumstances.)
A couple of years later, I saw Loggins and Messina at the UCSB gym in Santa Barbara, and it is still one of the best concerts I have ever attended. I purchased all six of their studio albums from 1971-1976. Are their better bands in my list above, yes but Loggins and Messina has that special time in place element to take my #5 spot, not to mention a hell of an ensemble of supporting bandmates to see live.
If you've been following this series of now the THIRD grouping of 100 of my all-time favorite songs then you will be acutely aware of my favorite band, The Beatles. For this third round, I actually went through every Beatle album and basically spread my favorite Beatle songs over the three current playlists. I say current, because it's not so much changing my mind, but more a shuffling of the deck of fantastic songs as I add more songs. I also said in the first list of 100 that I would not rank the songs, and I have continued that here.
The only thing that will remain a tradition as I have just started my FOURTH 100 Songs offline is that this series of playlists will start and end with Beatle songs as that is the dominate gene in my rock 'n' roll DNA.
Speaking of The Beatles, my pal Paul Hobbs turned me on to this great book, Paul McCartney: Many Years From Now(Amazon link) that I'm currently reading (and I wonder what made me go through every Beatle album this past week?). I bought a used hardcover that was in great shape, but recommend if you like reading on your back, you opt for the paperback version, because She's so heavy, heavy, heavy, heavy...
Long Live The Beatles!
My THIRD 100 Songs
I'll Feel Fine, The Beatles
Three Roses, America
Everyday People, Sly & The Family Stone
Return Of The Grievous Angel, Gram Parsons
Kodachrome, Paul Simon
If I Can't Have You, Sara Bareilles
Ain't Nothing Like The Real Thing, Marvin Gaye and Tammi Terrell
49 Bye-Byes, Crosby, Stills & Nash
Live, The Bangles
The Sad Cafe, J.D. Souther
Because, The Beatles
Fish and Whistle, John Prine
Black Queen, Stephen Stills
Amie, Pure Prairie League
Something So Right, Paul Simon
Go Where You Want To Go, The Mamas & The Papas
All You Can Do, Tedeschi Trucks Band
For A Dancer, Jackson Browne
You Can't Always Get What You Want, The Rolling Stones
That Lonesome Road, James Taylor
Daydream Believer, The Monkees
You Like Me Too Much, The Beatles
Into The Mystic, Van Moorison
Celebrate Me Home, Kenny Loggins
Sunny Side of Heaven, Fleetwood Mac
They Dance Alone, Sting
Been To Canaan, Carole King
It Won't Be Long, The Beatles
Seven Steps To Heaven, Miles Davis
Blossom, James Taylor
I Go To Pieces, Peter and Gordon
Doctor My Eyes, Jackson Browne
Hey Nineteen, Steely Dan
Little Victories, J.D. Souther
Every Little Thing, The Beatles
Walk Away, James Gang
Bluebird, Buffalo Springfield
Late In The Evening, Paul Simon
Helplessly Hoping, Crosby, Stills & Nash
The Beehive State, Harry Nilsson
She Said She Said, The Beatles
Boys In The Trees, Carly Simon
Hold Me, Fleetwood Mac
We're Going To Be Friends, The White Stripes
Going Up The Country, Canned Heat
While My Guitar Gently Weeps, The Beatles
Allison, Elvis Costello
I Will Dare, The Replacements
Golden Years, David Bowie
Gimme Some Lovin', The Spencer Davis Group
Laughing, David Crosby
Lady Madonna, The Beatles
Good Old Desk, Harry Nilsson
Wasn't Born To Follow, The Byrds
I'll Take You There, The Staple Singers
Somebody To Love, Kacey Musgraves
What It Is, Mark Knopfler
I Don't Want to Spoil The Party, The Beatles
All I Want, Joni Mitchell
Day After Day, Badfinger
Stone Soul Picnic, Lyra Nyro
It Ain't Over Yet, Rodney Crowell, Rosanne Cash & John Paul White
The Apple Scruffs were a loosely-knit group of hardcore Beatles fans who were known for congregating outside the Apple Corps building and at the gates of Abbey Road Studios in London during the waning days of Beatlemania, in the hope of seeing or interacting with one of the band members. The name was first coined by George Harrison, who also recorded the song "Apple Scruffs" as a tribute to them for his 1970 triple album All Things Must Pass. Wikipedia
I actually co-opted the idea for this What If blog series from my good friend Paul Hobbs. In high school, Paul started a fun tradition of putting together imaginary new Beatle albums after their breakup in April of 1970. Paul's process would be to create a cassette tape mix from the solo albums of the post-fab-four from that year or thereabouts. I would often go over to Paul's house and we would sit in his bedroom and listen to albums on his portable record player. Sometime in 1970, Paul invited me over and shared his new Beatle album mix tape with me and together we escaped into a Beatles-forever alternate universe.
Recently in our 2020 #stayathome phone conversations, we decided to go back fifty years and put our heads together to create what that followup album might have been from our perspective today. Without too much rancor (just kidding), we both came together with a side one of seven songs, and a side two of six songs for our 42 minute mythical vinyl album.
First we needed some basic rules to follow.
A 'What If' Album - 1970 Fantasy-Band-Land Rules
Our album had to be a 12" vinyl LP (Long Playing) analog record with 23 minutes maximum play time per side. So back in the day, a typical album had 12 songs or 6 songs per side.
Songs picked for this 'What If' album would be from John, Paul, George, and Ringo's solo recordings, no later than 1970.
Think of these solo album songs as 'demo tracks' recorded without all four Beatles participating to make a final definitive Beatle track.
1969-1970 Beatle Discography Abbey Roadwas released September, 1969 and even though Let It Be was recorded earlier in January of 1969, it was released in May of 1970.
and now for a little fantasy... Starting with our made up press release
Hey ‘Scruffs’ Cheer Up Good News For Beatles Fans
Actual 1970 Circus Magazine Cover
Dan Lingman • August 14, 1970 • Circus Magazine
In the aftermath of courtroom battles and breakup rumors, the Beatles have resurfaced at Abbey Road Studios where they’re putting the finishing touches on Apple Scruffs a new collection of Beatle songs tentatively slated for a fall release.
“Apple Scruffs” comes from George’s affectionate term for the fans who gather outside the Apple offices day after day, hoping for some sort of connection with their heroes,” explains Neil Aspinall, head of Apple Corps. “With all the turmoil caused by the rumors of the Beatles imminent demise the fans have been very much on the Beatles’ minds. They seem genuinely reinvigorated and refocused. I was able to pop in on a session earlier in the week and the energy in the room was extraordinary! Everyone seems very excited.”
With the prospect of a new Beatles album when it seemed like all was lost? That’s cause for excitement, not to mention a Beatles Christmas for all of us.
••••••••••
and.... A 'What If' Album Fictional Narrative
Apple Scruffs • Release Date: October 9, 1970
It is spring 1970, Let It Be is topping the charts and the lads after a few rough patches on a winding road have gotten back to full-form with the critically acclaimed, Abbey Road. George continues to press John and Paul in getting more of his songs on Beatle albums as he now has a war chest of songs ready to go. In a recent interview George was asked about being a songwriter and he said, "the only reason I started to write songs was because I thought, well, if they can write them, I can write them."
Ringo is now a movie star with the release of The Magic Christian and thinks his song, It Don't Come Easy will be a single at some point.
A 'What If' Album Cover
The band has all agreed that the Phil Spector experiment of producing Let It Be is behind them as he has returned to America, and his gun collection. George Martin is back to steer the magical ship as Producer and 5th Beatle, full speed ahead Mr. Parker, full speed ahead.
Also, in a stunning reversal, The Beatles have fired manager, Allen Klein and he has been replaced by The Bee Gees, Cream, and Eric Clapton's manager, Robert Stigwood.
John and Paul are becoming more open to the new dynamics in the band as they begin a new decade together. The Lennon/McCartney team continues to balance their collaborative and solo songwriting craft as both seek greater autonomy in their professional and personal lives. John likes to call himself, "a happily married fellow" these days, and Paul has traded in his London highlife for a sheep farm in Scotland. Can these two find peace and happiness at home? Enough so, that keeps them both coming back to work together, and with George and Ringo? Time will tell, but for now they have a miraculous follow up and journey past Abbey Road's The End.
While writing that blog, I had also began to read a book by James Taylor's original manager and the producer of Sweet Baby James,Peter Asher.
Thanks to Paul Hobbs
for the book loan
The book is titled, The Beatles from A to Zed and is simply a wonderful journey through the alphabet with everything Beatles, plus more interesting sidebar stories including: Peter's direct experiences with the Beatles, his days in Peter and Gordon, and life in the music business. If you're a Beatle fan, this is a must and a very fun read indeed. The book got me interested in Peter Asher and I began to look into his life and professional career as a musician and record producer.
Some early facts about Peter Asher and his one degree of separation-
Peter's father was a doctor and his mother was a professional musician and Oboe teacher, who once taught a young lad named, George Martin (the future producer of The Beatles).
Peter went to the prestigious Westminster School in London where he met his future band mate, Gordon Waller whose father was also a doctor.
Peter was a child actor along with sister Jane Asher, a life-long actress.
At the Asher's Wimpole St. home, John Lennon and Paul McCartney wrote "I Want to Hold Your Hand" in the front basement room, while McCartney wrote the tune to "Yesterday" in a box room at the top of the house. Wikipedia
Paul McCartney and Jane Asher
For two years, Peter's and Paul's bedrooms were right next to each other at the top of the house, and Peter as a young musician himself had constant direct access to one of the greatest singer-songwriter's of all-time. I guess I could go on about Jane's and Paul's access... what were her parents thinking?
Anyway, John and Paul were constantly writing new songs and always revisiting and even workshopping older songs they wrote before the Beatles formed in 1960. One such song, A World Without Lovewas written by Paul when he was sixteen but John could never get past the first line,Please lock meaway without cracking up with laughter.
Peter Asher and Gordon Waller
As John rejected A World Without Love as a Beatles song, an astute Peter Asher asked Paul if he could have the "orphan" song for his newly signed band, Peter and Gordon. Peter even persisted Paul to write the bridge of the still uncompleted song. Paul finished the song and gave it to Peter and Gordon who took it to their first recording sessions for EMI Records. Least to say, the rest is history as the song went all the way to #1 on the UK and American Billboard Charts in 1964 and launched Peter and Gordon as a worldwide duo.
This past week, I thought the A World Without Love lyrics quite appropriate for our #StayatHome times even though they were written by a young Paul McCartney about waiting for a true love to finally show herself.
Please lock me away
And don't allow the day
Here inside where I hide
With my loneliness
I don't care what they say I won't stay
In a world without love
Now another thing that struck me when viewing the color video of A World Without Love is that Peter Asher is the spitting image model of Mike Myers' Austin Powers character. I am of course not the first to make this observation, but I want you to play the song here and pay attention as the camera zooms in on Peter at the 0:27 - 0:37 mark. You'll see exactly what I'm talking about- Peter's expression with mop top, Buddy Holly glasses and teeth... Yeah Baby!
Peter's close relationship with Paul McCartney proved invaluable as Peter and Gordon recorded several songs written by McCartney but credited to Lennon–McCartney. Those hits included "A World Without Love" (US & UK #1), "Nobody I Know" (US #12; UK #10), "I Don't Want To See You Again" (US #16, but not a hit in the UK), and "Woman." With "Woman", McCartney used the pseudonym Bernard Webb to see whether he could have a hit song without his name attached. First pressings of the US Capitol single listed the composer as "A. Smith". The song reached #14 in the US and #28 on the UK Singles Chart in 1966. Wikipedia
Phil and Don Everly
As duo groups in the 1960's started popping up such as Simon and Garfunkel, Peter and Gordon, Chad and Jeremy, not to mention such bands as The Beatles, The Beach Boys, The Byrds, The Hollies, and Bee Gees- all getting their harmonic inspiration from the well of The Everly Brothers. For Peter and Gordon, it's very interesting to hear two very different singing voices come together to make their harmony work so well. Needless to say, without the Everly Brothers, the evolution of harmony in the early to mid-sixties for singing duo's and bands just wouldn't have been the same.
For Peter and Gordon and Chad and Jeremy, the 60's wave ended as both groups disbanded in 1968. For Peter Asher, his life changed in 1968 as he briefly worked as the A&R (Artists & Repertoire) Director for Apple Records where he signed James Taylor to his first record contract and then moved to the United States to manage and produce James and later, Linda Ronstadt. Peter went on to produce many acts, and in 1995-2002 was Senior Vice-President for Sony Music Entertainment.
Peter and Gordon, 2005
But what attracted me to write this article and playlist this week was Peter Asher's reunion with Gordon Waller in 2005, first playing benefits, Beatlefest, and then doing clubs together. Sadly, this ended in 2009 when Gordon Waller died of a heart attack at 64 years old.
Chad and Jeremy, 2005
As for Chad and Jeremy, Chad Stuart continued to work in the music industry while Jeremy Clyde became a film and stage actor. In the early 1980s, the duo reunited to record a new album and perform concerts, including a multi-band British Invasion nostalgia tour. After another long period of separation, in the early 2000s Chad & Jeremy began performing again and developed a semi-regular schedule of touring for many years. Wikipedia
Incidentally, both Peter and Gordon and Chad and Jeremy often played venues together as all were life-long friends.
In 2018, Chad Stuart retired from performing and low and behold, Peter Asher and Jeremy Clyde started performing together as, Peter and Jeremy. That kind of takes us full circle as I would like to present a mix playlist of Peter and Gordon, Chad and Jeremy, and Peter and Jeremy this week in both older and more recent videos. Make sure to watch the last two videos with a bit of fun commentary by Peter and Jeremy. Enjoy my friends!
Note- I also want to give a big shoutout to jarichards99youtube (subscribe here) who does a fantastic job of taking old music videos and creating a Digitally ReProcessed ReCut Video and STEREO ReMix.HiQ Hybrid = Live Video Performance PLUS Studio Quality Sound.
Simon and Garfunkel at the 1971 13th Annual Grammy Awards | Bettmann/Getty Images
Something old, something new... part of the good luck tradition for a bride on her wedding day. In the past several months I haven't seen any brides floating about, but thought I'd borrow the expression.
Three weeks ago, I put together a playlist of "something new" music releases from January-March, 2020 thinking that might be popular with so many people home and online. It wasn't a dud but maybe not the #ComfortSongs to go along with maybe some of the #ComfortFoods you've been wanting or having at your #StayatHome. By the way, has cooking made a comeback at your house too?
Last week, I put together the 50th anniversary of CSN&Y's Déjà vualbum, and Joni Mitchell's Ladies of the Canyon, and that got a pretty good bump of blog hits coming in. With that in mind, I'll continue the "something old" theme by highlighting albums released from January - March from 1970. It's an amazing collection of albums and the number of great songs within those albums are truly impressive.
Here are a few thoughts I strung together while putting this 100+ Playlist together derived from my Wikipedia source, 1970 in music.
I'll start with the Grammy album of the year for 1970, Bridge over Troubled Water by Simon and Garfunkel. What's not to like on this entire album. If I have to pick one to start off the playlist, I'm going with Ceciliaan all-time favorite which also reminds me of a quick story growing up in a Baptist Church. I remember when Love The One You're With was a hit by Stephen Stills in late 1970 and a girl in my youth group commented to me, "I just can't stand these dirty songs like Cecilia and Love The One You're With." About a year later, I came up to her at church and said, "Guess you'll have to add Change Partners to your dirty songs list."
The Magic Christian was a February 1970 movie starring Peter Sellers and Ringo Starr. The soundtrack, Magic Christian Music is by the band Badfinger and features their first big hit written and produced by Paul McCartney, Come and Get It. I thought this was going to be a quick skip-through album, but I kept saying to myself, "wait a minute, this one's good...this one's good" and so on. Like so many albums I discover fifty years after their release, Magic Christian Music's a gem from a truly great band as most people only know their hits.
Last week I watched a 2011 documentary about George Martin (the 5th Beatle) on Amazon Prime called, Produced by George Martin (link here) that I highly recommend. George Martin produced Ringo's first solo album, Sentimental Journey and the two make a great team doing a complete album of "standards" that had not had been attempted by any rock star until Ringo did it. Ringo has always been maligned by the press over the years, but now most critics say he's not only a great drummer but a very good singer to boot. Listen to Ringo sing Night and Day by Cole Porter.
When I was fifteen, I would have never have listened to Frank Sinatra's Watertown, much less Ringo's Sentimental Journey. In Watertown, Sinatra takes a 1970 ride on the singer-songwriter wave with a themed-based album. All the songs were written by the same team of Bob Gaudio and Jake Holmes which is something Frank had never done before. This indeed was a risky move as Watertown was Frank's worst selling album, but the critics loved it and I think it's a wonderful album too. It's a heartbreaking tale of a wife who leaves her husband and two children searching for stardom. Make sure you listen to, The Train. If I didn't mention the band Mountain here, I'd probably get a concerning phone call from my old friend and childhood next door neighbor Ron Zieman wondering if I lost my mind. Ron introduced me to the best "heavy" rock bands over the years starting with Cream. Felix Pappalardi who produced some of Cream's albums started Mountain with Leslie West and their first album Climbing climbed the charts with their big hit, Mississippi Queen. When the group proceeded to record "Mississippi Queen", Pappalardi insisted on numerous takes. Growing weary, Corky Laing the drummer started using the cowbell to count off the song. Pappalardi liked it so much he left it in the mix, creating the song's recognizable intro (Wikipedia). And as Christopher Walken would say, "More Cowbell."
Moondanceis simply one of the greatest albums of all time. As a teenager I really didn't appreciate Van Morrison until I got to San Diego State and started rooming with my buddy Mark Hunter. Mark was from Millbrae CA, just south of San Francisco and if you're from the Bay Area you know "Van the man." Every song on this album is fantastic. In the last several years, I've really taken a deeper dive into his music and loved seeing him in Las Vegas in February. Check out Into the Mystic, this song is right up there...
The personnel on Leon Russell's debut album is largely a who's who of rock 'n' roll royalty, not to mention half of England. Again, so many great songs on this album including the all-time, "A Song for You", written by Russell, is a slow, pained plea for forgiveness and understanding from an estranged lover, the tune is one of Russell's best-known compositions. It has been performed and recorded by over 200 artists, spanning many musical genres. Elton John has called the song an American classic (Wikipedia).
I purchased Nilsson Sings Newmanin a used record shop after Harry Nilsson become really famous with his 1971 album, Nilsson Schmilsson. Again, this album is filled with great songs. Both albums followed me to college and I listened to them often in my dorm room and then in a series of forgettable apartments. In fact in my first forgettable apartment, my complete stereo system was stolen (a high school graduation present) with Harry Nilsson's 1974 Pussy Catsalbum on the turntable. I'll never forget coming home, opening the door and seeing a large empty space where the stereo system used to be with now the Pussy Cats empty album jacket laying in its place. My first thought was F***!!!!!, then I thought, well Pussy Cats was not Harry's finest hour on vinyl. But as long as I'm talking today about great "standards" albums like Sentimental Journey and Watertown today, check out Nilsson's 1973 A Touch of Schmilsson in the Night, a classic and one of Harry's finest hours.
Mary Kit says to me, "108 videos this week, man you must have some spare time..."
